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From:
Andrew Cowper
To:
'idm@hyperreal.org'
Date:
Fri, 20 Oct 2000 16:53:42 +0100
Subject:
RE: [idm] datach'i's we are always well thank you review (606
Msg-Id:
<902EDDF8769ED411A97800508B44EBFF1A1C05@postman-pat.nettec.co.uk>
Mbox:
idm.0010.gz
quoted 5 lines be happy to name some names. _field_of_action_ by foul play> > be happy to name some names. _field_of_action_ by foul play > productions is > probably one of the most generic d+b records i've ever heard; > new artist.
Erm... Big oops. here's a Foul Play bio from http://www.truelove.co.uk/labels/partisan/foulplay.htm Suffice to say they are by no means a 'new artist' CheersAndrewC. FOUL PLAY PRODUCTIONS A name of distinction dating back to the early days of rave and hardcore, Foul Play now add "Productions" to their title as a mark of respect to founder member Steve "Brad" Bradshaw, who died tragically young last August. The change marks the new material written by John Morrow and fellow Northamptonite Neil Shepherd from the earlier classics. Neil did in fact play guitar on Brad and John's "Suspected" LP for Moving Shadow (1995), so had a good understanding of the situation and the history involved. The illustrious heritage began in 1992 when, as a trio with Steve Gurley (who now works as Rogue Unit on Labello Blanco and produces for Dr. S. Gachet, making quality House), they released "Foul Play Vol. 1 and 2" on their own Oblivion label. Championed by Randall in particular and Fabio also, these 12's happily bore the telephone number of John's Grandma, whereby our own Simon Colebrooke (then A&R Director at Moving Shadow) found them out. Fed up with the usual boring distribution nightmares, they happily accepted the offer of relinquishing all the admin. Thus, in 1993, "Finest Illusion / Screwface" came out on Moving Shadow's affiliate label Section 5, before a long line of releases on Shadow proper: Foul Play Vol. 3 "Open Your Mind", Vol. 4 "Being With You / Music Is The Key" (the last input from Gurley), "Total Control / The Stepper" ('95), "Vice / Karma" ('96). Accompanying their own catalogue is a glittering array of remixes - "Lords of The Null Lines", Hyper-on Experience ('93 and again in '94 with DJ Randall); "Made in 2 Minutes", Bug Kann, for PWL ('94); "Feel Better", "Rollin' Heights" and "Renegade Snares" Omni Trio (the latter selected by MixMag last year as one of the most important Drum & Bass tracks of ALL TIME); 4 Horsemen material and remixes for Darren Jay's Tone Def label; "Believe", E-Z Rollers; "Stay Calm", DJ Pulse; "The Sound of Music", Nookie - for Reinforced ('95); "Warriors Drum", King Just - for Ruffness; "Heal the Separation", The Shamen - for One Little Indian; "Flowers Bloom", Mandalay ('96) - for V2; "Sing Time", Ray Keith ('97) - Dread Records. As well as contributing an exclusive track to a Sony Records LP "Cuttin' Edge", John and Steve did have another shot at running a label, Panik, and released tracks on that over '96-7 before Brad's illness made it increasingly difficult. In conclusion, the name Foul Play commands respect from anyone with so much as a passing interest in the development of UK breakbeat. John and Neil draw influences from many styles of music and film and are working on an album with contributions from vocalist Shereen and bass player Steve Musgrove (who plays double bass on "Golden Gate" Part007). --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org