179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
daniel
To:
Date:
Fri, 7 Jul 2000 11:17:41 -0500 (CDT)
Subject:
Re: [idm] Kraftwerk goes Calypso/Latin/Mambo/Cuban...
Msg-Id:
<Pine.BSF.4.05.10007071117060.81480-100000@monkey.eliteware.com>
In-Reply-To:
<00b501bfe82b$30d0eee0$b5867d3e@x>
Mbox:
idm.0007.gz
http://www.datacide.org -daniel: Head Monkey: Mad Monkey Records: http://www.madmonkey.org On Fri, 7 Jul 2000, alex rozet wrote:
quoted 77 lines thanks for all the info! VERY INTERESTING! do you have some RI contacts?> thanks for all the info! VERY INTERESTING! do you have some RI contacts? > what else was released by RI? > > > thanks! > > lexo > > > -----???????? ?????????----- > ??: Mxyzptlk <jpklein@dsl.telocity.com> > ????: ID est, Menudo <idm@hyperreal.org> > ????: 07 ???? 2000 16:18 > ????: Re: [idm] Kraftwerk goes Calypso/Latin/Mambo/Cuban... > > > >.net wrote: > > > >> It\'s hard > >> to believe that the record was created in that > >> way! > >> > > > > > > > >Agreed. Some people were expressing their disappointment that the new > >one was "all-acoustic" (as indeed I thought as well). Uwe corrected us, > >saying that it was - in fact - all sampled, oversampled, tweaked and > >reworked. I find it all that much more amazing in light of that. I > >thought the most charming aspect of the first Coconut was the nearly > >seamless transition between acoustic/electronic sounds...when in > >actuality it is, in fact, Uwe's manipulation which gives the aural > >appearance of either facet. I always thought he could give Ae lessons in > > > >programming (e.g., Schnittstelle) for the obvious timing/drum > >programming feats, but this kind of stuff really demonstrates that he > >stands head and shoulders as a programmer/manipulator above a lot of > >what's out there. Not to mention that he has his fingers in MANY pies > >with reference to styles (or that he's been around for a relative coon's > > > >age). He's just released one called "xxx" (on RI) which has a porno > >theme - in tandem with "Geez and Gosh" which is his "house" lp dedicated > > > >to Jesus. There's also a single floating around with different mixes of > >'Tour de France'. I've also caught wind of something in the works which > >is some type of Michael Jackson "homage" (dangerous ground as Jackson > >has a history of not appreciating unsolicited references). In addition, > > > >he mentioned recently that he was working on something with a more > >'classical' motif...he was lamenting that no one really "composes" > >anymore (i.e., creates electronic music with motifs and symphonic > >thematic repetition) like Kraftwerk does and that he was/is/has been > >working on doing something of the ilk.The man is truly prolific. > > jeff > > > > jeff > > > >"10,000 people all screaming the same thing at the same time are wrong, > >even if they're right." > > > >dancing/about/architecture "...with wandering steps and slow..." > >ICQ904008 > > > > > > > >--------------------------------------------------------------------- > >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > >For additional commands, e-mail: idm-help@hyperreal.org > > > > > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org >
--------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org