On Friday, 10-Jul-98, Simon Walley wrote [about (idm) Re: idm-digest V2 #236]:
quoted 5 lines Drill'n'bass isn't a sustaining genre - it's a novelty IMO. The>Drill'n'bass isn't a sustaining genre - it's a novelty IMO. The
>interesting stuff will happen when the techniques and ethos (basically
>fuck around with as much of the break and sounds as possible)
>cross-breeds into other stuff. This is happening already - a good
>example IMO is that Ae Certificate 18 remix.
In a way that's true. In one of my tracks I have not messed with breaks, but
I've taken several layers of drumsounds that basically sound like nonsense
by themselves, but make up a wicked groove when layered on top of each
other, I dunno if anyone would call it drill'n'bass (I don't).
quoted 1 line Been reading a bit too much _Solaris_?>Been reading a bit too much _Solaris_?
huh? what's that :D
quoted 2 lines The new stuff sounds pretty organic to me - still with that Ae coldness>The new stuff sounds pretty organic to me - still with that Ae coldness
>and kind of clinical outlook but with the sounds they're using.
Actually yes, cichlisuite is damn organic. but I meant you know, how they
are usually making things that make "the sounds of machines our parents
used." ;)
__
__\ \
/ /_\ \
1cQ<->uIN \_____/ 1.3777993
"..in whatever you do, if you can't break new
ground, what's the point?" - James Cameron