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From:
Kelley Hackett
To:
'Simon Walley '
Cc:
'idm@hyperreal.org'
Date:
Mon, 13 Mar 2000 12:21:05 -0500
Subject:
RE: (idm) The Good Old Days (Quantified)
Msg-Id:
<397CA68ABF5AD111863C00805F0DDE9808D000@aba.iupui.edu>
Mbox:
idm.0003.gz
At least we get some response.....sorry for spelling your name incorrectly CiM! Unfortunately, all these cats are in it for the LOOT!(!!$#@$#@$#&%). I wont rant and rave now, $#@!!!%#!#@$@%), but which chap said artist should make tracks because they have a passion for the music...Yeah Yeah, we all have to eat(make money)..... Some have the Love for it, and some DONT.......So Fuck'em, We'll Churge on! And for those who dont know about B12, theres a large portion residing in the UK, ASK SOME FUCKING BODY! Hey CiM, what about releasing your music on CD, is there enough Demand for That!? Shitty as hell on my day off, Hk! -----Original Message----- From: Simon Walley To: idm@hyperreal.org Sent: 3/13/00 5:20 AM Subject: Re: (idm) The Good Old Days (Quantified)
quoted 14 lines -----Original Message----->-----Original Message----- >From: AeOtaku@aol.com [mailto:AeOtaku@aol.com] >Subject: (idm) The Good Old Days (Quantified) > >On another note, someone out there with connections and >money: there is an extremely lucrative and ethically rewarding >market for legitimate reissues. There have been a lot of people >e-mailing me lamenting that these tracks we're speaking so >highly of aren't available anymore. One person put it best when >they said that it sucks to hear about the greatest IDM tracks to >know he'll never get the chance to hear them. Hey, anybody in >the UK, talk to B12, talk to Kirk, talk to Nuron, talk to Black Dog, >get some clearance and make some nice discography CD's of >old singles and reissue some albums and comps.
Its not going to happen for a number of reasons: * Most of the artists concerned just aren't interested in re-visiting areas they've already explored, both in terms of writing new material in that style or releasing/re-releasing older tracks. If they did it, it would probably only be if they were tempted with large amounts of money, which would be unlikely to be made back purely from re-issues. * Despite what you might say, the overall demand for it is NOT high, it is not a lucrative thing to do. There might be quite a few IDM kids who would buy it (lets guess a few hundred?) but there needs to be enough non-hardcore fans (these are the people who buy the bulk of a release) to buy it and make it worthwhile re-pressing. * Some of this material has been re-released already (eg. ART stuff by New Electronica). How many times can you do retrospective re-releases? * This sound (Detroit influenced UK sound) is not 'current'. A lot of kids on this list are probably wondering who the fuck B12 are and why (if they're so good), they haven't appeared on a V/Vm compilation. The only reason to re-issue deleted things like this is if demand (and I mean general, overall demand, not just hardcore IDM demand) and interest reaches a certain level AND most importantly if the artist wants to do it. And the bulk of them don't want to. Its a shame but they have no interest in visiting the past again. However, some do - watch this space :) || [CiM] || cim@headspacerecordings.co.uk || - ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org