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From:
H James Harkins
To:
idm
Date:
Sat, 19 Jul 1997 11:53:02 -0400 (EDT)
Subject:
Re: (idm) Eno: agreed
Msg-Id:
<Pine.SOL.3.91.970719113553.1370A-100000@carr2.acpub.duke.edu>
In-Reply-To:
<v01540b0000068619f8c9@[207.38.252.72]>
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On Fri, 18 Jul 1997, Peter Becker wrote:
quoted 2 lines I find it interesting why many folks ( on this list & in general ) are so> I find it interesting why many folks ( on this list & in general ) are so > concerned with an artist *moving forward* and *paving new ground".
I tend to agree. Apart from the general Western obsession with the "new and improved," sometimes I wonder if it isn't as simple as the fact that "new ground" is easier to talk about than--for lack of a better word--depth. (Speaking as a "classically" trained composer, we have the same @#$$@@#! problem in that world too--irritates me no end.) A concrete example: it's been pointed out that many of the sounds and techniques on Ae's Chiastic are quite similar to those on Tri Rep. (the same is true of formal procedures), from which some draw the conclusion that Chiastic is just a rehashing of old territory. So why does the later album feel so much richer emotionally? I can't answer that question in words, but if you have a similar sense of these albums, then you know what I mean. I feel similarly about the two full-length SQPr albums, which is why I'd take Hard Normal Daddy over Feed Me... if the gun were at *my* head. Of course I'm grateful for the avant-gardists--it means it's something *I* don't have to do myself! ;) J ________ \ / | Bee women: "What kind of corn soldiers are you?" H. James Harkins | Arthur: "Umm, oh, er, we're, uh, we're colonels." jharkins@acpub.duke.edu | \/ | - from "The Tick," now on Comedy Central, 6PM M-F "If we keep our attention focused on the present, we can be sure of one thing, namely that whatever we are attending to in this moment will change..." -- Jon Kabat-Zinn