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From:
The Rare Guy
To:
IDM
Date:
Sun, 08 Jun 1997 11:58:39 EST4EDT
Subject:
RE: (idm) Panasonic
Msg-Id:
<yam7098.1987.127717528@clark.net>
In-Reply-To:
<01BC738B.76BF53F0@localhost>
Mbox:
idm.9706.gz
On Sunday, 08-Jun-97, Christopher Fahey wrote [about RE: (idm) Panasonic]:
quoted 1 line Seriously, give it another whirl. It's conceptual art. It's a song made out>Seriously, give it another whirl. It's conceptual art. It's a song made out
of
quoted 4 lines the complexities of a waveform, and it demonstrates how intricate and>the complexities of a waveform, and it demonstrates how intricate and >beautiful even the simplest sound can be. I like to think that it was made by >setting up some simple parameters for the sound, or maybe several interacting >simultaneous waveforms, and just letting it do what it'll do. I once saw
Space
quoted 3 lines Needle use a dozen effects proicessors to carefully and precisely fuck with>Needle use a dozen effects proicessors to carefully and precisely fuck with >their guitars and drums to the point that they could just leave the stage for >ten minutes and let the vacuum tubes do their job.
it sounds like a couple of pure sine waves, in the middle actually the pitch modulates also, not just the filter cutoff, but I don't think it's anything that I can't do with my synth. .auddplte <-- lfo: we are back __ __\ \ / /_\ \ \_____/ , m7=