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From:
Richard Barnett
To:
Date:
Thu, 19 Sep 1996 11:05:22 +0100
Subject:
(idm) Jon Hassell
Msg-Id:
<199609191005.LAA14149@smile.msi-uk.com>
In-Reply-To:
<199609190441.VAA15606@taz.hyperreal.com>
Mbox:
idm.9609.gz
> From: "BRIAN ANTONAK" <Brian.D.Antonak@maf.nasa.gov> > > Picking up on this messed-wit' trumpeter plays over ambient electronica, > Jon Hassell's collaboration with Brian Eno, "4th World - Possible Musics" > is a truly great record. If not for the credit sheet I would've certainly > guessed Hassell to be a keyboardist -- his trumpet makes sounds THAT > other-worldly. Even more beautiful though are the backdrops/'rhythm beds' > of each track. Very bizarre. Am I right to believe that this was a > one-off collaboration? yes, this was their only `primary' collaboration, although eno pops up from time to time on hassell's other releases, and vice versa (eg `on land'). there's plenty more good hassell out there, though; the processed trumpet sound remains the same, but the other musical elements become less ambient and more rhythm-dominated -- a fairly steady progression with time. you might like to check out the following (which are in chronological order): `dream theory in malaya (possible musics vol 2)' `aka/darbari/java - magic realism' `power spot' `flash of the spirit' `city: works of fiction' `dressing for pleasure' (which followed `city') has a lot of hip-hop/jazz influences and i don't listen to it often. of the five titles above, `aka/darbari/java' and `power spot' are probably the best; the former uses processed samples to good effect, the latter some wonderful electronic/sampled percussion & eerie backdrops. -- richard