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From:
Paul Seymour
To:
Date:
Tue, 4 Jul 1995 22:13:30 -0800
Subject:
Re: Bjork and the bandwagon
Msg-Id:
<199507050511.WAA20012@netcom.netcom.com>
Mbox:
idm.9507.gz
quoted 3 lines Maybe I'm the only person who doesn't find her or her recent seemingly->>>Maybe I'm the only person who doesn't find her or her recent seemingly- >>>>>>bandwagon- jumping >>>Techno-esque forays something to get all that excited about?
quoted 9 lines Considering her first record is from 1977, I'd say that her appearance on>Considering her first record is from 1977, I'd say that her appearance on >two tracks on 'ex:el,' released in 1991, *is* recent. Even barring obscure >Icelandic releases, her recordings with the Sugarcubes handily precede any >techno involvement on her part. >All of which is moot, really - Bjork is as guilty of jumping on the techno >bandwagon as Underworld, Richard Kirk, Youth, and any number of other people >that Greg wouldn't think of insulting for it. :) > >C.
You shouldn't expect, or even want, artists to stay stuck in the same style (especially if it is since 1977!). And, the fact that their music evolved from a different background is probably a positive aspect of what they produce. Can artists help it if they like what is coming out of the techno scene? Generally, what one likes tends to have some kind of an impact and influence on the direction your work may take, whether it be in music, art, design, etc. And, Richard Kirk? I think saying that he is someone who is "jumping on the techno bandwagon" is stretching it somewhat far. I think early Caberet Voltaire was an important step leading towards techno. It seems like he and CV have followed a natural progression to what they are doing now. P4UL S3YMOU2