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Woob review

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1994-10-11 18:06Woob review
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1994-10-11 18:06transmat@teleport.comThe following review is from the UK Dance Digest Date: Mon, 10 Oct 1994 17:13:39 GMT From:
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Tue, 11 Oct 1994 10:06:04 -0800
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Woob review
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The following review is from the UK Dance Digest Date: Mon, 10 Oct 1994 17:13:39 GMT From: steveh@tqmcomms.co.uk (Stephen Hebditch) Subject: UK-Dance Reviews #15 Woob: Woob Em:t / T:me Recordings EM:T1194 UK 1994 72:55 On Earth; Odonna; Amoeba; Wuub; Strange Air; Emperor. Woob is the first album by Paul Frankland, apparently a one-time collaborator with the Future Sound of London's Gary Cobain, though quite what that involved is left as an exercise to the reader. This is one of those albums that just clicked with me. Music that takes you on a journey and also employs some wonderful original sounds. This makes it come across as more of a film soundtrack than a run of the mill ambient album. On Earth is the big opening opus. It starts with deep choruses and chanting with snatches of bird noises and voices before moving into a tribal beat that grows and grows over its 20 minutes. First a repeating horn refrain and a deep bassline then layer upon layer of percussion until it suddenly all falls away back to where it started. Odonna continues in tribal vein, the main section of the track coming from a drum loop with one of the most massive bass drums I've heard on CD yet. Amoeba is a strange mouth organ and guitar interlude, as if they'd mixed up the reels in the cinema. Wuub is a great builder, the main melody held by a strangulated synth vocal while strings skim across the surface and the bass is rocked by what sounds like someone wobbling a huge board. Strange Air gets darker in feel. Dissonant textures, horror movie samples and a sudden scream that comes right out of the blue. Emperor takes you out with deep, deep rumbling and slowed down tape effects that conjours up images of hippopotamuses writhing in mud. 8/10 bleep...bleep...transmat@teleport.com