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From:
Tim Moore
To:
Cc:
Date:
Sat, 13 Sep 2003 13:16:35 -0400
Subject:
Re: [idm] idm/harsh electro/noise/industrial crossover
Msg-Id:
<06EEFC6C-E60E-11D7-80F0-000A9578A04E@Moore.name>
In-Reply-To:
<200309121422.AA8389064@chthonicstreams.com>
Mbox:
idm.0309.gz
On Friday, September 12, 2003, at 05:22 PM, chthonic wrote:
quoted 18 lines "N. Graham Worthington" <nworth1@gl.umbc.edu> said:> "N. Graham Worthington" <nworth1@gl.umbc.edu> said: > > >> the part about music being >> so drastically affected by it is total bunk. I suppose Mr. Simon >> Reynolds' appearance in "Modulations" is partly to blame, since >> he reiterated (fabricated?) it there. > > i had already read that in a few articles, in particular one about the > rave scene in england in the early 90's. i could see it happening, it > doesn't seem totally out of the realm of possibility. of course, > that's > assuming the musicians are actually going to the clubs and a) > seeing things get nastier and that people were going for harder, > faster tracks, and/or b) the musicians were taking this crappier > version of e (or x) themselves. it's just as possible that neither of > those things ever happened, hence my disclaimer (although i do > own a copy of 'modulations' the book).
I think it's more likely that everyone killed their serotonin reserves by chomping ecstasy in the early 90s, and by the mid-90s the drugs didn't work anymore and they had a nice mental imbalance to make them irritable and depressed all the time. That's my theory anyway. It seems to happen to every new generation of ravers/clubbers in a nice, predictable cycle. So happy hardcore gave way to jungle, epic trance to "progressive", hard house to hard techno. Funny that. -- Tim Moore --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org