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Date:
Mon, 10 Mar 2003 10:32:56 -0600
Subject:
Re: [idm] Acid's greatest 'hits', via GPO
Msg-Id:
<3E6CBE37.9581952F@scarcelight.com>
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idm.0303.gz
my acid house can beat up your acid house
quoted 153 lines Just to put the story straight on some of the misinfo flying around> > > > Just to put the story straight on some of the misinfo flying around > > here, > > > > GPO did not have any influence on the acid house scene. He very publicly > > > > tried to jump the bandwagon a bit too late in the day and was extremely > > > > unsuccessful. > > > > BULLSHIT on that! Time to seperate 'Signal' from 'Noiseloop'. > > > Despite what else I may have offered in this thread, I *must* stand up > > > for Gen here: > > > PTV *more* than influenced the Acid House scene: they made *the* record > > that kicked off the > > > scene: "To All The Young People", with the Superman label (which pissed > > off > > > DC comics). > > > Psychic TV were *very* much responsible for the start of Acid House in > > > the UK *and* in the US. > > > > The US scene was certainly not kicked off by GPO - that's probably the most > > ridiculous thing I ever saw on the idmlist. Try telling that story to > > Marshall Jefferson, Larry Heard, Todd Terry, Juan Atkins and many, many > > others. The US media has a well-known history of supressing the influence of > > black working-class music - please don't be taken in like that. > > That was *not* the same Acid House scene as the one being discussed: > in fact, there was no Acid House scene there in Chicago or in Detroit, > per se. > > Yes, the above-named individuals made excellent records that were > intergral to the scene. > > But the energy and artistic expression present in > Acid House Parties (which spawned 'raves') > *were* indeed more a product of the conceptual efforts of > GPO and PTV, than of those others. > > And I am in no way trying to down-play the others' > importance. > > "It Is What It Is" and it ain't what you claim! ;) > > > In the UK it was kicked off by Paul Oakenfold(!) at a club called The Future > > in the suburbs of Streatham, followed by Danny Rampling's Shoom. > > Yeah: ask ~them~ what record inspired ~them~ to start their nights. > > PTV - 'to all the young people'. They'll admit it, or else > they'll play revisionist-history. They said so at the time: > '87 and '88. > > Very soon > > after there were a bunch of other nights like Spectrum and The Trip. There > > was also one run by the guys from The Advent which I can't remember the name > > of right now. This was all around 85-87. > > No way: none of those Acid nights were around til at best > very late in '87. Show us a flyer from '85 or '86 for an > 'Acid House Party'. > > Nuff said. > > > The Residents 'Kaw Liga' was huge because it > > sounded just right in that scene - not because it was by The Residents. > > It sounded 'right' because it sounded like > 'Billy Jean'. And it ~preyed~ brilliantly upon the concept > of the wronged man. ;) Leave it to the Eyeballed Ones > to have 'spotted' that. ;) > > The 'housey' 'kaw-liga' remixes didn't come out til '89. > > > Yeah I heard some rumour that Richard Norris and Evil Eddie Richards made > > that awful album for him and maybe there's a reason they didn't put their > > names to it. > > Richard Norris was under contract. And he and Evil Eddie never hid > their involvement. Did you even read the NME at that time??? > > >I think you're probably the first to quote it as one of their > > proudest moments. > > Don't think so hard: it hurts your complexion. ;) > > > At the time record shops could sell just about anything > > with an 'acid house remix' sticker on it but that one never seemed to leave > > the shelves. > > Wow: 'sounds' like a description of a lot of IDM stuff today: doesn't sell: > of course, it ~must~ suck if it doesn't sell. > > Say, isn't that Avril Lavigne the 'shit'? Wow. Great stuff: > lots of people are buying it. > > > I really tried to like it myself as I was very much into acid > > Don't eat the brown acid: it'll turn you into a Tweety-Bird, > Woodstock. ;) > > > and quite interested in ptv at the time but it was the most obvious cash-in > > attempt I came across - it sounded totally fake to me. But each to his own, > > I'm just giving you a perspective of someone who was around at the time. > > You got the same, dude: difference, apparently: > I was playing those records 'out' at the time. ;) Where 'in' did you play them? > > > > Also I > > > > believe he is completely anti-drug so the jacking up in an alleyway > > fears > > > > are likely to be groundless. > > > > Anti-drug: HaHaHa!!!!! > > > You "believe" but you do not *know*. > > > Gen was ~totally~ down with the lysergics. 'Blue Pyramid' ;) > > > Well someone else on the list has also put me straight on this. Around 87-88 > > I was involved in a band project with a guitarist from ptv (not fred > > gianelli). He wouldn't even let me smoke a spliff at his house. He told me > > he got that from Gen and it was an essential part of ptv (and s+m) > > philosophy not to deaden or alter the senses artificially with drugs - they > > wanted to get closer to reality. > > Another fool manipulated? ;) > > > > > I think it all became a bit marilyn manson for > > > > the british. > > > > Irony???? Peter Christopherson directed Marilyn Manson videos. ;) > > > Gotta pay the bills somehow I suppose. You know they used to design album > > covers for a living. > > Oh, god: "they": fuck that: > you need to do some research: > > Peter Christopherson was a member of the Hipgnosis design > team. Not 'they': Sleazy: that's ~it~. > > http://www.brainwashed.com/coil/info/peter.html > Quote from the above-linked page: > > "Trying to hold back the revision of history is always a good thing." > > Perhaps GPO ~does~ fuck goats, but he ~did~ inspire many djs, > both in the UK and the US, to play Chicago Acid and Detroit techno tracks, and to mix > them with the PTV stuff, and the Woodentops (horrid, IMO), > and 'Washing Machine', and Bang the Party, and so on, and so on: > GPO introduced many of those people to Phuture's 11-minute classic, > 'Acid Tracks', and subsequently made and released the Superman record, > which was 'checked' by all of the hype acid djs in the UK and US in '87 and '88. > > Speaking from experience!!!!!! ;) > >
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