A couple of people have mentioned Aronofsky's Requiem For A Dream to chase
up. As well as the Kronos Quartet/Clint Mansell music (which is extremely
effective in setting up a sense of inexorable movement (ie fate) throughout
the film toward _that_ ending) the sound designer for the film was none
other than Ken Ishii. You can hear his affinity with mangling and sequencing
sounds all over the film. If anyone is interested I've talked further about
this in a lecture/presentation I have in written form on my website (in the
Opinions section) entitled "The Physical Reality of the Crossfader and Its
Influence on Film Sound"
Ishii's branching out from solo music production over the last five or so
years has been really exciting; check out imdb.com for some of his other
film work, or Rez, the PS2 game (that is really hard to find here!)
Simon.
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