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From:
Anig Browl
To:
IDM List
Date:
Mon, 2 Jul 2001 10:34:03 +0100
Subject:
Re: [idm] re: rap attack
Msg-Id:
<00e801c102e8$5b78dbc0$72a6869f@pauls>
Mbox:
idm.0107.gz
From: Philip Sherburne <psherburne@mindspring.com>
quoted 1 line Brief point of contention - while I wasn't there for it, my understanding> Brief point of contention - while I wasn't there for it, my understanding
is that disco originated with
quoted 1 line deep roots in the black (and gay) community, and evolved as a racially> deep roots in the black (and gay) community, and evolved as a racially
integrated phenomenon. So
quoted 1 line "disco white people music" isn't quite correct.> "disco white people music" isn't quite correct.
I agree (I wasn't there either, but we can both read). Similarly, house music and all that Detroit stuff had a big black influence, not least because TR-808/909s were cheap and easily available in the 80s while all the happening musicians were rushing out to buy Korg Wavestations. Techno music (by which I include everything from cheesey rave to psy trance to IDM) seems to have wound up as a largely white phenomenon, not least because of the perception that you need a bunch of expensive gear (and serious gearheadedness) to make it, while a single Akai MPC or (previously cheap) SP1200, some decks, and a chill record selection are sufficient to put together the most ill hip-hop record. In the Bay Area at least, the black people I've met at techno parties who are into making music mention that, the fact that the techno crowd is 99% white, and the drug-taking patterns as the main reason that there are so few black people on the techno scene. Anig Browl _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org