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From:
Joseph MacKay
To:
idm
Date:
Fri, 15 Jun 2001 09:05:10 -0300
Subject:
Re: [idm] new radiohead > 3
Msg-Id:
<002501c0f593$6dab14a0$7b1b2fd1@accesscable.net>
Mbox:
idm.0106.gz
----- Original Message ----- From: "zimbo" <tofu@falco.kuci.uci.edu> To: "idm" <idm@hyperreal.org> Sent: Thursday, June 14, 2001 10:59 PM Subject: [idm] new radiohead > 3
quoted 8 lines anyone want to shed some light on how the new radiohead cd is after track> > anyone want to shed some light on how the new radiohead cd is after track > 3? i would listen to it, but i cant seem to stop myself from listening to > the third track over and over. > > its like skam releasing a matmos track in which they called upon the ghost > of bryn jones for inspiration. or something. >
It's kinda catching, isn't it? I'm sure there's a lengthy debate going on somewhere as we speak as to how they got the vocal sound. To answer your question, tracks four through maybe 9 all have varying degrees of guitar on them. It isn't always dominant, but it's pretty continuous--much more so than Kid A. You and Who's Army and Like Spinning Plates are particularly tasty--not, or course to the exception of track 3 (the title of which escapes me at the moment). I have incidentally been listening to Confield lately, and I guess I can see what folks are complaining about, but I quite like it. It has a nice tactile kinda quality to it. Texture more than groove--rather like that Radiohead track. Not trying to get the Confield thread going again, just thought I'd pitch in my two cents while I was writing. Joe -------------------------------------------- email: joemackay@accesswave.nospam.ca info: www.accesswave.ca/~joemackay tunes: www.mp3.com/thebalaclavathesis [remove the obvious from the email]
quoted 12 lines chris.> > chris. > > aim|cuddlenoise > "Groupies are always encouraged." > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >
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