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From:
Rob Salit
To:
IDM List
Date:
Sat, 12 May 2001 22:41:38 -0400
Subject:
[idm] Russell Haswell
Msg-Id:
<B7236CA2.8AF%rsalit@nyc.rr.com>
Mbox:
idm.0105.gz
For anybody who enjoyed Russell Haswell's live or DJ performance recently, he's got a CD that just came out. I found this review from Other Music in NYC. I'm thinking of checking it out...I love this kind of shit. TekDz9er RUSSELL HASWELL "Live Salvage 1997-2000" (Mego, Austria) CD $16.99 RealAudio: http://64.27.65.90:8080/ramgen/othermusic/russhas1.rm RealAudio: http://64.27.65.90:8080/ramgen/othermusic/russhas2.rm Russell Haswell's debut for the Mego label (which derives its name from the Dada phrase 'My Eyes Glaze Over') is probably the loudest, noisiest record the imprint has yet endorsed. That may surprise some of you, but the Pita and Fennesz records have gorgeous buried melodies. Haswell's music does not. Though he uses only electronic instruments, "Live Salvage…" is more akin to Merzbow. There is no concession made to ease of listening here. And, frankly, why should there be? Haswell has made a record that not only demands but also commands your attention. Just try turning away from the first track, recorded in Kyoto -- it pulls you back like a powerful undertow. It is precisely that kind of effect that makes "Salvage…" such an extraordinary collection. To some, the record will sound like undifferentiated noise, when in fact it is the subtle changes in frequency and modulation levels that, for instance, lends the piece recorded at 121 in London such an amazing structural beauty. [TH] http://www.othermusic.com/perl-bin/OM/CD_Add_To_Cart.cgi?sku=09999155492&ref er_url=email --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org