this is a damn good point, brad.
thank you for making it. :)
i also usually stay the course, because once
a guy has shown some brilliance, chances are
he will show it again, if not all the time.
quoted 39 lines the main reason for likes and dislikes, imho, is>the main reason for likes and dislikes, imho, is
>preconception.
>
>when someone hears a record like tango 'n'
>vectif and says "holy shit what is this? it's
>brilliant,"
>
>they have a desire to purchase, listen to,
>and obtain more of similar music.
>
>(by similar, i don't mean the same style; i
>mean the same feeling: "this is original.")
>
>but one never quite captures that same
>feeling from the same artist over the entire
>span of their work because the artist is
>growing in different directions.
>
>what i mean by all this blather is:
>while others may not like mike paradinas'
>recent stuff because of the above,
>you began with his recent works and
>the earlier stuff may not light yer sonic fires.
>
>it's like a frickin relationship.
>you fall for x, x grows, you grow, you either
>stay in step or fall out of synch.
>i usually stay the course and know in my
>heart that things will climb after going downhill.
>
>but for the sake of heart and pocket book,
>many people would rather say:
>
>geez this shit sucks now and will never glow again!
>( i just never do that for some weird reason )
>
>i found something worthwhile in all mu-ziq.
>
>; ) for what it's worth
grav