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From:
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Date:
Fri, 23 May 1997 16:51:57 -0400 (EDT)
Subject:
Re: (idm) Desktics Robotop
Msg-Id:
<970523165156_-1699631432@emout06.mail.aol.com>
Mbox:
idm.9705.gz
In a message dated 97-05-21, simonw@sol.ftp.com (Simon Walley) wrote:
quoted 8 lines the 2nd vinyl should contain live>>the 2nd vinyl should contain live >>versions of "Asteroids over Berlin" > >Hmm. Label art states that the main disc has the live _Asteroids_. The >second bonus disc isn't track-listed at all on the sleeve. The label art is >a white label with some seventies style drawings of space shuttles and >women in bikinis. Which makes more sense when you look at it. No track >listing. Three tracks - one very much like _Thats Mutuality_.
not to add to the confusion, but the _Desktop Robotics_ cd (CAT 051 CD) has: desktop robotics leaf's brought by the wind hug me tight asteroids over berlin - live arnos park dappsoft packmac deluxe -version despite a note that "the last track on this cd is a data track: Pacmac Deluxe by Dappsoft," the 6th track must be "Arnos Park..." as only track #1 is silent. tracks #2-#6 all contain music. whaaaz up wi' dat?! i don't want to mismatch titles/tracks, so ... 2: starts out simple but catchy, abrasive Monomorph/D'Arcangelo distorto-beats with a little 'pinging' synth bit. lusher synths around 1:25... the beats don't really change, but a very sweet bass-y (not bass) line comes in, giving the effect of SAWII with more rhythmic muscle. sounds more mature than _Module 2_. 3: clanky rhythm with much added space, draped in velvety synths, and purveying an overall underwater effect. like a slowly sinking submarine... anyone ever wonder what sort of electronic music Bernard Hermann would have made? here ya go. 4: old school electro b-line and finger-snapping riddims. but there are those sighing melodies again... so retro, so beautiful. 5: scratchy, squeaky drum patterns and more of that Aphex/Kinesthesia key noodling. the refrain has a gospel-friendly church organ tone... never really 'goes' anywhere, and very very short. 6: jumpier, 'tuff'er old school with a House inflection. the beauty of BW's music is in his attention to detail, and you hear it here - melodic lines intersecting, entwining, coming together and prying themselves apart. you've heard all the sounds before, but you haven't heard them *used* the way Gianluigi uses them. except on other BW records! BR VII / gg2-g4 np: Ishimitu Productions - bass sonority (soup-disk jp)