179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
Matthew J. Lehrer
To:
GD
Cc:
Date:
Sat, 4 May 1996 13:25:13 -0400 (EDT)
Subject:
Re: (idm) polyester
Msg-Id:
<Pine.OSF.3.93.960504131858.32124A-100000@is3.NYU.EDU>
In-Reply-To:
<318B525D.7BF4@interramp.com>
Mbox:
idm.9605.gz
On Sat, 4 May 1996, GD wrote:
quoted 4 lines Soloing on idm releases works best as real-time manipulation of sound (e.g. filters,> Soloing on idm releases works best as real-time manipulation of sound (e.g. filters, > effects, and patch parameters); soloing as practiced in pop or jazz music just doesn't > work both from a rhythmic or structural point when brought to the idm arena, if ya ask > me...
I'd have to disagree here. Some recent Russ Gabriel tracks have extended improvised keyboard lines in them that work *extremely* well, and Carl Craig's Kurzweil improvs were quite a refreshing addition to a live performance of his I saw last fall. I guess, as in all things musical, restraint is key here. One must tread the thin line between expressing something interesting throuhg inprovisation, and just plain wanking. ;) - Matthew OnNow-->Paul Bishop: Inner Surface "I grew up thinking that techno music is actually something that you can't imagine. That is techno at its best. If you hear something that you'd never expect to hear - that's techno. If you hear something that kind of sounds like you've heard it before, then it's not techno." - Jeff Mills