179,854Messages
9,130Senders
30Years
342mboxes

← archive index

Re: record pressing

9 messages · 6 participants · spans 1 day · search this subject
1994-01-13 23:38record pressing
1994-01-14 01:53record pressing
1994-01-14 02:08Jon Drukman Re: record pressing
1994-01-14 15:23Roy Badami Re: record pressing
1994-01-14 18:17Dana Watanabe Re: record pressing
1994-01-14 18:27Jon Drukman Re: record pressing
1994-01-14 19:02Michael Wertheim Re: record pressing
1994-01-14 19:06Dana Watanabe Re: record pressing
1994-01-15 03:19Ned Andrew Raggett Re: record pressing
expand allcollapse allclick any summary to toggle that message
1994-01-13 23:38humphrey@unity.ncsu.edu///////////////////////////////////////////////////// ////////// john humphrey@unity.ncsu.
From:
Date:
Thu, 13 Jan 1994 18:38:38 -0500 (EST)
Subject:
record pressing
///////////////////////////////////////////////////// ////////// john humphrey@unity.ncsu.edu /////// ///////// rainbow john_humphrey@ncsu.edu /////// //////// humphrey pgp key upon request /////// /////////////////////////////////////////////////
1994-01-14 01:53humphrey@unity.ncsu.edusomehow my last post got screwed up...i was wondering how much the equipment costs to pres
From:
Date:
Thu, 13 Jan 1994 20:53:51 -0500 (EST)
Subject:
record pressing
somehow my last post got screwed up...i was wondering how much the equipment costs to press a record...i imagine there's one to do the first then another to mold copies...do labels all have their own equipment or do they send their masters somewhere to be pressed? how much does it all cost? if i wanted to start my own label what would i do? (of course it would be to produce intelligent dance music so this is the perfect list to ask :) ///////////////////////////////////////////////////// ////////// john humphrey@unity.ncsu.edu /////// ///////// rainbow john_humphrey@ncsu.edu /////// //////// humphrey pgp key upon request /////// /////////////////////////////////////////////////
1994-01-14 02:08Jon Drukman>somehow my last post got screwed up...i was wondering how much the >equipment costs to pr
From:
Jon Drukman
Date:
Thu, 13 Jan 94 18:08:02 PST
Subject:
Re: record pressing
quoted 8 lines somehow my last post got screwed up...i was wondering how much the>somehow my last post got screwed up...i was wondering how much the >equipment costs to press a record...i imagine there's one to do the first >then another to mold copies...do labels all have their own equipment or >do they send their masters somewhere to be pressed? how much does it all >cost? > >if i wanted to start my own label what would i do? (of course it would be >to produce intelligent dance music so this is the perfect list to ask :)
you don't want to buy your own record pressing plant. you're talking about a large industrial operation costing hundreds of thousands of dollars. here's how the process works: you record your award-winning future Mixmag chart topping track. put it on a DAT since that's very portable and cheap. send the DAT to a mastering house. you could also go to a mastering studio if you like to help out with some final tweaks. once the product has been mastered, you create the plates (for vinyl) or the 1630 tape (for CD). you then send this piece to the pressing plant which turns your lovely track into a slab of vinyl or aluminum oh, and don't forget about the artwork - that needs to get printed somewhere else. have the printing place ship the art to the pressing plant. some plants will do the art for you but it usually costs more. you need to synchronize this, because the pressing plant won't start producing your item until all the pieces are at the plant. for vinyl you need to worry about the label and sleeve art. blank sleeves are OK for singles, but color printing can give your product that extra lift that makes it leap out of the rack at the store. or you could go for the underground appeal and just use a white label and a rubber stamp. for CD you need a disk silkscreen, a jewel booklet and a tray card. unless you wanted to pull an Aphex Twin and put out an entirely blank disc in an unlabeled box... before i got into this business i used to think making music was the hard part. now i realize that making music is the easy part - it's everything afterwards that's hard. (well, it's not hard, but it takes time and energy that i'd rather put into making more music.) Jon Drukman jdrukman%dlsun87@oracle.com ------------------------------------------------------------------------------- This calls for a very special blend of psychology and extreme violence.
1994-01-14 15:23Roy Badami> somehow my last post got screwed up...i was wondering how much the > equipment costs to
From:
Roy Badami
Date:
Fri, 14 Jan 1994 15:23:18 +0000
Subject:
Re: record pressing
quoted 8 lines somehow my last post got screwed up...i was wondering how much the> somehow my last post got screwed up...i was wondering how much the > equipment costs to press a record...i imagine there's one to do the first > then another to mold copies...do labels all have their own equipment or > do they send their masters somewhere to be pressed? how much does it all > cost? > > if i wanted to start my own label what would i do? (of course it would be > to produce intelligent dance music so this is the perfect list to ask :)
A record label is most definately not the same thing as a pressing plant. You don't need you're own vinyl produciton line in order to run a label, thank goodness, or there'd be no small labels out there. There are plenty of companies out there that will take your master tapes and press them up on vinyl.... As to your real question, how do you start a label, I'll have to pass.... Cosmic
1994-01-14 18:17Dana Watanabe[nice description of record/CD making deleted] > before i got into this business i used to
From:
Dana Watanabe
Date:
Fri, 14 Jan 94 10:17:09 PST
Subject:
Re: record pressing
[nice description of record/CD making deleted]
quoted 6 lines before i got into this business i used to think making music was the> before i got into this business i used to think making music was the > hard part. now i realize that making music is the easy part - it's > everything afterwards that's hard. > > (well, it's not hard, but it takes time and energy that i'd rather put > into making more music.)
THAT's why you get signed to a Record Label and have them do that stuff for you jon :) and besides, if you get on a good label, they will help you re-write your songs to have more mass appeal so you can sell more records and make more money :) :) , dana
1994-01-14 18:27Jon Drukman>> (well, it's not hard, but it takes time and energy that i'd rather put >> into making m
From:
Jon Drukman
Date:
Fri, 14 Jan 94 10:27:16 PST
Subject:
Re: record pressing
quoted 5 lines (well, it's not hard, but it takes time and energy that i'd rather put>> (well, it's not hard, but it takes time and energy that i'd rather put >> into making more music.) > >THAT's why you get signed to a Record Label and have them do that >stuff for you jon :)
thanks dana, i know that. and if you'll allow me to gloat for a moment, i just got off the phone with a Rather Well Known British Record Label who are mad keen on the demo i sent them. /j/o/n/
1994-01-14 19:02Michael Wertheim> and besides, if you get on a good label, they will help you re-write > your songs to hav
From:
Michael Wertheim
Date:
Fri, 14 Jan 94 11:02:25 PST
Subject:
Re: record pressing
quoted 3 lines and besides, if you get on a good label, they will help you re-write> and besides, if you get on a good label, they will help you re-write > your songs to have more mass appeal so you can sell more records > and make more money :) :)
That's right. And if you get signed to a *really* good record label, they'll hire people to write, produce and mix the songs *for* you. All you really have to do is strut around in the music video and go on tour occasionally.
1994-01-14 19:06Dana Watanabe> >> (well, it's not hard, but it takes time and energy that i'd rather put > >> into maki
From:
Dana Watanabe
Date:
Fri, 14 Jan 94 11:06:25 PST
Subject:
Re: record pressing
quoted 9 lines (well, it's not hard, but it takes time and energy that i'd rather put> >> (well, it's not hard, but it takes time and energy that i'd rather put > >> into making more music.) > > > >THAT's why you get signed to a Record Label and have them do that > >stuff for you jon :) > > thanks dana, i know that. and if you'll allow me to gloat for a > moment, i just got off the phone with a Rather Well Known British > Record Label who are mad keen on the demo i sent them.
wicked cool. :) was this for Bass Kittens? , dana
1994-01-15 03:19Ned Andrew Raggett> > and besides, if you get on a good label, they will help you re-write > > your songs to
From:
Ned Andrew Raggett
Date:
Fri, 14 Jan 94 19:19:35 -0800
Subject:
Re: record pressing
> > and besides, if you get on a good label, they will help you re-write > > your songs to have more mass appeal so you can sell more records > > and make more money :) :) > > That's right. And if you get signed to a *really* good record label, > they'll hire people to write, produce and mix the songs *for* you. All > you really have to do is strut around in the music video and go on tour > occasionally. Sounds like the story of 2 Unlimited to me...