*1- SON[I]A #231. Kendell Geers*Link:
http://rwm.macba.cat/en/sonia/
kendell-geers/capsula
*Kendell Geers talks about structures of power, terrorism, linguistic
violence, Africanness and socio-political tensions before and after
apartheid.*
*2- FONS ÀUDIO #45. Malcom Le Grice*
*Link:
http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula
<
http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula>*
*Malcolm Le Grice talks about his 1970 work "Berlin Horse", which is part
of the MACBA Collection and moves on to expanded cinema, materialist
structuralism, latency, suspense, and the representation of time in his
work.
http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula
<
http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula>3- ON
LISTENING #1. Thinking (through) the ear.
<
http://rwm.macba.cat/en/research/on-listening-1/capsula>*
Link:
http://rwm.macba.cat/en/research/on-listening-1/capsula
Can we think through listening? Seth-Kim Cohen, Christoph Cox, Julian
Henriques, Casey O’Callaghan, Peter Szendy and Salomé Voegelin discuss why
thinking should not be at odds with resonating...
*4- PROBES series. Curated by Chris Cutler
<
http://rwm.macba.cat/en/probes_tag>*
Link:
http://rwm.macba.cat/en/probes_tag
PROBES <
http://rwm.macba.cat/en/probes_tag> takes Marshall McLuhan’s
conceptual contrapositions as a starting point to analyse and expose the
search for a new sonic language made urgent after the collapse of tonality
in the twentieth century. The series looks at the many probes and
experiments that were launched in the last century in search of new musical
resources, and a new aesthetic; for ways to make music adequate to a world
transformed by disorientating technologies.
5-
*COMPOSING WITH PROCESS <
http://rwm.macba.cat/en/composingwithprocess_tag>
series. Curated by Mark Fell and Joe Gilmore*
Link <
http://rwm.macba.cat/en/composingwithprocess_tag>:
http://rwm.macba.cat/en/composingwithprocess_tag
<
http://rwm.macba.cat/en/composingwithprocess_tag>
COMPOSING WITH PROCESS <
http://rwm.macba.cat/en/composingwithprocess_tag>
is a series, curated by Mark Fell and Joe Gilmore, which explores
generative approaches to composition and performance primarily in the
context of experimental technologies and music practices of the latter part
of the 20th Century. Each episode is accompanied by an additional
programme, entitled EXCLUSIVES <
http://rwm.macba.cat/en/exclusives-tag/>,
featuring unpublished sound pieces by leading sound artists working in the
field.
*+2 you should not miss!*
*1/ SON[I]A #224. Natalie Jeremijenko*Link:
http://rwm.macba.cat/en/sonia/
natalie-jeremijenko/capsula
*Natalie Jeremijenko talks about learning by living together, about the
vitality and shortcomings of the environmental struggles of the past, and
about how to imagine our relationships with natural systems from this point
on.*
*2- INTERRUPTIONS #11. Playing phenomena as a compositional material.*Link:
http://rwm.macba.cat/en/sonia/silvia_federici/capsula
This mix explores how the use of aural phenomena can manifest in its many
forms to become the key element in a compositional practice. By engaging in
the use of such expanded sonic techniques the composer can act to create a
recalibration of the listeners sense of hearing and by so doing, allow for
a reconsideration of what constitutes sonic composition.
*Enjoy!*