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Re: (idm) idm, this is your life...asmus tietchens

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1997-04-11 17:16solvent (idm) idm, this is your life...asmus tietchens
1997-04-11 18:26thomas m weibrecht Re: (idm) idm, this is your life...asmus tietchens
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1997-04-11 17:16solvent---But, if you really wanna see where RDJ learned all his tricks, check out ---Asmus Tietc
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solvent
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Fri, 11 Apr 1997 13:16:49 -0400 (EDT)
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(idm) idm, this is your life...asmus tietchens
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---But, if you really wanna see where RDJ learned all his tricks, check out ---Asmus Tietchens first four Lps on Sky (Cluster's old label) from the early ---eighties... sounds like him to me! ---discreetly, ---l.b. hello i found this far too interesting a propostion to pass up... not just from the stand-point of sounding like rdj, but because it sounded to me as though i had overlooked an important development in electronic music i scoured toronto's record stores, and i managed to find 1, the first lp from '81 called biotop... and it's very cool indeed i would have to admit that the rdj-isms are not as blatant as i had expected from l.b.'s description (maybe it becomes more obvious with the next 3?) but they are there... eerie, heavily-reverbed synth pads over flanged/ring-mod/distorted drum machines... silly child-like melodies the production is (surely out of neccessity) very flat and lo-fi, but in a way that almost makes it sound contemporay... my friend and i listenned to it right before playing the new twisted science ep, and both of us agreed that several asmus tietchens tracks would not sound out of place on this (or on a # of leaf recordings actually) i'll tell you who i think has listenned to a lot of this lp - pram - this is without a doubt - blipetty cr-78-like drum machines with sci-fi synth melodies mark van hoen - weathered well/natural composite-era, brooding, lo-fi (probably using the same type of effects) repetitive sound-scapes autocreation - same reasons as mvh, there is actually a track that reminds me of autocreation's caught short farmers manual - i always have an impossible time trying to describe farmers manual, all i can say is that just as i was thinking it sounded like them, the record ended in a locked groove (for those of you that have heard the mego ep, you'll know what i mean) for those of you who are a bit weary about the krautrock/noise/70s connotations of cluster (not to dis this stuff, i'm just trying to say that i'm more bochum welt and autechre than faust and merzbow, you know?), there are no acoustic instruments here, only one track has vocals (which are very weird and interesting anyways), and there are beats and melodies anyways, thank-you linus for this info (do you have more tricks like this up your sleeve?) for those who are interested, i know that asmus tietchens has continued to make music, but i'm under the impression that it's more experimental (ie. he's collaborated with merzbow) so if your taste is like mine, you'll want to stick with the first four lps from 81-83 i'm also pretty sure that these lps are hard to come by, so if anyone wants to do a tape exchange with me that would be cool (and if you don't have human league's dignity of labour, the topic that led to asmus tietchens, the 2 would go very well together on a tape) solvent@interlog.com goodbye
1997-04-11 18:26thomas m weibrechtOn Fri, 11 Apr 1997 13:16:49 -0400 (EDT) solvent@interlog.com (solvent) writes: > >for tho
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Fri, 11 Apr 1997 14:26:23 EDT
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Re: (idm) idm, this is your life...asmus tietchens
permalink · <19970411.141804.9087.2.TWeibrecht@juno.com>
On Fri, 11 Apr 1997 13:16:49 -0400 (EDT) solvent@interlog.com (solvent) writes:
quoted 9 lines for those who are interested, i know that asmus tietchens has> >for those who are interested, i know that asmus tietchens has >continued to >make music, but i'm under the impression that it's more experimental >(ie. >he's collaborated with merzbow) so if your taste is like mine, you'll >want >to stick with the first four lps from 81-83 >
just in way of confirmation, i received a tape of a show he did the end of last year in berlin, and believe me, experimental is understating his craft...what he did for approx. 40 minutes live, surpasses, imo, what alot of the people discussed on this list do in a whole year...( i was gonna say career, but that might have been perceived as hyperbole)... check it out, tom w np: apx in oz 1997