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From:
Pete Ashdown
Date:
Wed, 3 Nov 1993 14:57:59 -0700 (MST)
Subject:
XDZebra Review #38
Mbox:
idm.9311.gz
Ok, yes, I'm backlogged. I'm trying to catch up, please be patient. The amount of material I've been receiving recently has almost tripled. XDZebra Review #38 Addiction 266 Delmar Ct. Salt Lake City, UT 84101-1817 When in Utah call the T A S T E hotline 801-461-3375. Trying to find these releases? Try Ear/Rational: angst@psych.colorado.edu Back issues are available from me by mail or by ftp'ing to techno.stanford.edu. They're in the pub/raves/music/reviews directory. XDZebra Reviews may be reproduced without permission under one condition, they remain intact and unchanged. If you publish this in print, mail me a copy via "Addiction". ------------------------------------------------------------------------------ Review #38 Contents: C-Tank: Nightmares Are Reality Jeff Mills: Waveform Transmission Vol. 1 Wakin' Up A Dead Planet - Hardnoize Cross Europe Coordinate 01 The Inner Works 1+2 Only Double CD - Limited Edition X-103: Atlantis Fast 4 Motion EP The Kosmik Kommando: Universal Indicator Yellow The Caustic Window: Joyrex J9 EP [45] Jesus Jones: Zeroes & Ones C-Tank: Nightmares Are Reality Overdrive: CD OVER 030-2 1 180 07:02 Nightmares Are Reality 2 180 04:32 Air Bounce 3 160 06:00 House Hallucination 4 175 05:47 Holomania 5 190 03:40 The Rave Zone 6 172 05:43 Tank Trap 7 179 04:42 Monotonic 8 200 05:11 Biolunch 9 164 04:51 Drugtrash 10 180 04:37 Lost and Intellect 11 180 04:00 Mutation Step 12 170 06:36 Walk on Base (Remix) Comments: In listening to C-Tank one gets the sense that the only form of structure is a rotation of instruments through rhythm patterns. Certainly sheer speed is a virtue here, but when either a headache or sleep is induced from listening to it, the hardcore label becomes a farce. C-Tank can produce some good tracks, I enjoy "Holomania" and "Walk on Base", but the majority of this album smells of filler. Summary: 6/10. Hard and fast, but at the same time unsatisfying. Jeff Mills: Waveform Transmission Vol. 1 Tresor/Axis: CD11 1 149 04:47 Phase 4 2 140 05:27 Jerical 3 137 04:52 Changes of Live 4 145 05:56 Berlin 5 154 04:21 The Hacker 6 140 04:47 Late Night 7 136 04:09 DNA 8 136 04:49 Man-Like Comments: Jeff makes hardcore that evolves and progresses over the length of the entire track. Sometime this is subtle as in "Man-Like", or it knocks your head off as in "The Hacker". The opener, "Phase 4" is especially crushing and sounds monstrous on a big sound system. The only track I really don't appreciate is "Changes of Live" which takes a house piano riff and tries to bend it into something hard. It doesn't work, and begins to sound terrible after the first 30 seconds. Summary: 8/10. Better than average, with a lot of intelligence thrown in. Sort of a short album at 40 minutes, but only one bum track. Wakin' Up A Dead Planet - Hardnoize Cross Europe Monotone: MONO-020 1 142 04:50 Force Mass Motion 2 160 04:03 Tribes of the Moon: Type C. 3 147 04:52 Cyclo-S9: Cry 4 182 04:14 The Speedfreak: Cos It's Hard 5 153 05:12 Illuminatae: Tremora Del Terra (Rmx) 6 148 04:31 Cyberchrist: Somebody Kill That Mutherfuckin' Pig! 7 144 05:23 Jammin' Unit: Low Density 8 139 04:49 Walker: Elevator To Hell 9 182 04:34 Harlot: Elastische Sozialsysteme 10 140 03:57 Atom Heart: X.X.X. 11 180 04:32 Search & Destroy: Reach the Sky 12 167 04:44 Vinyl Countdown: Paroles (Remix) 13 147 05:32 Cybersonic: Jackhammer 14 143 04:41 Djungle Fever: Volume 001 15 157 04:42 Planet Love: 3 Times A Lady 16 155 03:10 Atmo Shinzo: Infrared Comments: This is a surprisingly good hardcore compilation, distinguished of course, by the pair of excellent tracks by Atom Heart, "X.X.X." and "Infrared". Most tracks have been edited down, but for the most part, what is missing is just repetition of what has already been played. "Type C." and the Harlot track are excellent breakbeat, "3 Times A Lady" is very cool spaceycore, and tracks like "Low Density", "Elevator To Hell", and the entry by Speedfreak test the limits of noise, distortion, and hardcore rhythm. There are a few dogs, "Reach the Sky" is terrible chipmunk, although "Tremora del Terra" is actually the best chipmunk I've heard. In addition, Cyberchrist pulls out all stops to give us a real stinker. Summary: 8/10. Actually a higher hit rate than other non-label hardcore comps I've purchased recently. Yet this is still an arena for hardcore fans only. Coordinate 01 Dossier: DCD 9044 1 138 03:33 Blackland: 1^3 2 130 04:37 Sect: Neuronatics 3 129 06:03 Intermix: Phase One 4 129 04:59 MC^2: Superconductivity 5 130 05:13 Sect: Andromeda Storm 6 139 06:38 Philth: Sub-Aqua 7 115 06:39 Mr. Fist: Lucifer Song 8 122 03:42 Digital White Noise: Demoralize 9 135 04:42 Ithakrash: You Will Fry 10 138 05:28 a Duck: Phenethylamine Backwash 11 146 04:19 X.Drone: Sub-Lunar 12 151 04:15 Tensor: Get Him 13 134 08:21 Downtime: I Want You (To Kill) 14 145 06:13 DV8R: Sounwave Comments: Imagine what it would be like if everyone took inspiration from the first Intermix album. Imagine if this came together on a compilation that was produced with crystal clear production. Imagine no more, for Coordinate 01 is a brilliant result of the production talents of Mike Balch and Bill Leeb. I was expecting something more along the lines of classic industrial, but what I found was sounds that rival the best of the electronic dance groups today. "Sub-Aqua" is the prime track on here, a truly stunning trance piece that rises from the depth of night into the light of day. "Phenethylamine Backwash" is breakbeat like only Dwayne Goettel of Skinny Puppy could give us, the Altern8 samples will probably enrage the rave critics even more. "Sub-Lunar" reminisces of Swamp Terrorists with a speed guitar over fast beats. The initial track by Blackland and "Superconductivity" by MC^2 is up to date cybermaterial without cyberpretentiousness. Summary: 9/10. Supremely delicious compilation. Give us further Coordinates DRT! The Inner Works 1+2 Only Double CD - Limited Edition Overdrive: OVER LE 1 CD 1: 1 130 05:33 2 126 04:54 3 123 05:11 4 123 04:19 5 138 05:32 6 130 05:26 7 141 05:48 8 134 05:16 9 140 05:23 10 144 05:40 11 138 05:40 12 136 04:19 13 138 04:47 14 122 04:39 CD 2: 1 144 06:13 Microbots: Microillusions 2 144 05:00 C-Tank: Walk on Base 3 145 04:52 Tracid Posse: Vivarium 4 130 06:33 Jim Clarke: Qualification (Round 4) 5 151 04:08 Syncroflash A/B: Motorbike Raiders of the Lost Dead 6 143 05:27 Cell-U-Loid: Midnight, Tonight 7 136 03:54 Psycho Drums: Pattern 6 8 157 05:35 Mark N-R-G: Bless to Kill 9 154 04:28 Syncroflash A/B: Request 10 126 05:40 Nino and Atomic Robo Kid: Low Technology 11 150 07:02 C-Tank: Narcotize 12 130 04:08 Sound to Light: Clean Condition 13 166 05:19 Clone I.D.: Beyond 160 14 150 03:38 Turntable Hoschis: Peace Comments: Apologies for the lack of a track listing on the first disc. This release came without any listings, and I had the "Inner Works 2" around, so I copied that. Frankly, it isn't too much to worry about though. These two compilations have about a 1/3 hit rate, the rest is droning drek. If it came down to which comp to purchase, I'd recommend the second, it seems to be a bit more fleshed out. However, both of them are way under the premium hardcore. Summary: 4/10. Boring attempts spotted with interesting successes. X-103: Atlantis Axis/Tresor: 12 1 01:22 Introduction 2 134 03:52 Atlantis (The Entrance) 3 01:31 Interlude A 4 135 04:18 The Gardens 5 145 04:05 Acropolis 6 133 04:42 Hagia Triada 7 01:08 Seduction of Europa 8 139 04:57 Temple of Poseidon 9 110 06:36 Minnia (The Queen's Theme) 10 146 01:11 Eruption 11 00:55 Interlude B 12 141 02:07 Tephra 13 134 03:30 10,000 Chariots 14 140 03:45 Curse of God 15 04:28 Thera 16 139 03:04 Magma (Technology) Comments: "Atlantis" is much easier to digest than the last X-102 album, "Rings of Saturn", but it also gives further understanding as to what is trying to be accomplished here. High on structure, low on content, these albums are a soundtrack for the imagination. Some tracks would work on a dance floor, but most are just there to listen to. X-103 is more hardcore than anything else, even though there are a few nice ambient tracks thrown in, especially "Thera". The rest is a prime example of analog work with a large experimental flavor to the piece as a whole. Summary: 8/10. More mature than previous X-10 work. A bit of ambience, but largely on a hardcore sound. Fast 4 Motion EP Overdrive: LC 6695 Side A: 1 165 100 Meter Final 2 169 Practiceroom Side B: [45] 1 151 Hardcore Baseline Comments: So I suppose this is my first taste of "Darkness" and although "100 Meter Final" is fairly slick, "Practiceroom" sounds like speedy breakbeat diddling on a tape. "Hardcore Baseline" throws the breakbeat for a return to Force Mass Motion or Prodigy styled hardcore. Listening to "Baseline" all the way through could be a painful experience, which is probably why they've laid the breaks out neatly on the record, it makes for better mixing. Summary: 4/10. Ho hum. I'm sure there's better stuff available in this genre, but the B-side takes the value way down. The Kosmik Kommando: Universal Indicator Yellow Rephlex: MC 202 Yellow Side: [45] 1 141 2 Sign Side: 1 140 2 137 3 141 Comments: Kosmik Kommando pulls off acid from the depths of distortion on the "Yellow Side". The first track is severely noisy, but not really hardcore in an odd way. However, with the following noisefest that defies description with track two, I started to wonder if KK was going for the techno equivalent of smashing his guitar. Probably the noisiest electronics to hit my turntables yet. "Sign Side" sounds quited different, still acidic, but more like Atom Heart's work. Summary: 7/10. Noiselicious and very original one side, but rather standard on the B-side. The Caustic Window: Joyrex J9 EP [45] Rephlex: CAT 009 ii Paper Side: 1 152 2 159 Black Side: 1 150 2 136 Comments: At first it took me a while to determine the correct speed this should be played at. In reality, it sounds good on 33 as well, slow and crushing with a dub sort of effect. However, the samples used point to the fact that this is indeed a 45. Joyrex J9 represents more of a tubey hollow sound for Richard James. Although track 1 on the "Paper Side" is bitterly acidic and hard, track 2 is almost ambient. To emphasize this, it is recorded at an obnoxiously lower level as well. On the "Black Side" is an tribal acid track that emphasizes the previously mentioned "hollowness". Finally, the closer is a reuse of the "We are the music makers" sample, but to better effect than "Ambient Works 85-92". Summary: 8/10. Better than average release for the multitalented Richard James. Plus some free "Magic Gum"! How can you lose? Jesus Jones: Zeroes & Ones EMI UK: 12FOOD44 Side A: 1 145 Zeroes & Ones (The Prodigy Versus Jesus Jones Mix) 2 120 Zeroes & Ones (Central Nervous System Mix) 3 120 Zeroes & Ones Side B: 1 140 Zeroes & Ones (Aphex Twin Reconstruction #1 Mix) 2 140 Zeroes & Ones (Aphex Twin Reconstruction #2 Mix) Comments: Gripping my intestines and bracing for the worst, I threw down the Jesus Jones record and started it spinning. Hmmm, sounds like Prodigy with a Jesus Jones sample. Then it sounds like Jesus Jones with more guitars. Finally, just JesusJones. Turning it over, I found Aphex Twin with a Jesus Jones sample locked up, smashed down, and thrown into an ambient dungeon. Richard James shoots and scores again. This reminds me a lot of the Curve and St. Etienne remixes, little snippet of the original thrown over unique rhythms and sound. I can only imagine what Aphex thought of the original piece. Summary: 5/10. One side is good. The other side is expected.