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From:
patrick haenelt
To:
Jacob Arnold , IDM
Date:
Sun, 19 Feb 2006 15:13:12 -0800 (PST)
Subject:
[idm] [a]pendics.shuffle and CARO (orac label head) live at Baltic Room (SEATTLE)
Msg-Id:
<20060219231312.60045.qmail@web36907.mail.mud.yahoo.com>
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Mbox:
idm.0602.gz
TUESDAY FEB 21.............. Sensory Effect presents OSCILLATE tuesdays at The Baltic Room--1207 pine st. Seattle WA 9p 21+ $10 with residents GREG SKIDMORE and ELECTROSECT live visuals by Scott (of The Now Device) and Robert Rudas Tue. Feb.21 we are excited to welcome ----[a]pendics.shuffle-- (live!!--orac records-LA) ----CARO-- (live!--orac records-SEA) ----GREGG KOWALSKEY (live!--kranky records-LA) here's a little about the performers... [a]pendics.shuffle Under his [a]pendics.shuffle alias, Ken Gibson departs from the turbulence of his better-known work as Eight Frozen Modules to inflame the feet rather than the cerebrum. The prevailling structures are distinctly tech-house: direct, jacking and funky. This is dance music-- no doubt-- however he has a problem: he doesn't follow the formula that 50,000 other DJ/producers cling to. In other words, he couldn't give a crap about the 64-bar intro, the filter-sweep-bridge-from-the-breakdown-to-the-climax or the drama strings (think of that high-pitched synth fodder from Madonna's "Vogue"). Instead, his work finds its lot sandwiched in-between the more beat-friendly tracks of the Orthlorng Musork posse or Mille Plateaux kids -- though his music is far too complex and interesting to be lumped in with those guys. Gibson's focus is on sounds (lots of them)and works these in tandem with his get-your-ass-on-the-dance-floor groove that only becomes more interesting each time you hear it CARO Seattle's Orac label is just getting better and better, thanks to the disco inversions of artists like Bruno Pronsato, Strategy, [a]pendics.shuffle, and labelhead Randy Jones' debut full-length as Caro, after his spooky My Little Pony single Minimal Techno undergirds it all, but almost by suggestion alone; the music itself is overstuffed with piano vamps, Trax flashbacks, Italo indulgences, and elements of classic New York Garage. Plenty of elements will sound familiar — "Sea of Hands" dips its fingers into Arthur Russell, Jones' rhythms could drive any record on Perlon, and his revisitation of disco via contemporary means recalls Metro Area — but Caro doesn't sound like anyone else. His compositions blur the line between tracks and songs, building slowly through meticulous addition, but shaping their hooks so that they sink in deeply GREGG KOWALSKY (w/ Ben Brakken) Born in New York City and raised in South Florida, Gregg Kowalsky has had the opportunity to perform throughout Europe and the United States under the Osso Bucco moniker for the past several years. He participated in festivals such as WDR’s SoundArt-Köln Festival, Sonar, OFFF (Online Flash-Film Festival) and The Nursery Summer Festival in Sweden alongside artists like Stephan Mathieu, Keith Fullerton Whitman, Wolf Eyes, fm3 and others. He now resides in Oakland, California where he completed a Master of Fine Arts degree in Electronic Music and Recording Media at Mills College with the guidance of Fred Frith. Kowalsky’s compositions range from textural ambient to drone and noise pieces, which are highly influenced by the thick, humid air of South Florida where Gregg lived for most of his life. He is interested in filling the spaces his music occupies through dense, live, multi-channel mixes. He has composed for film, dance, acoustic ensembles and sound installations. Gregg's debut full-length album, Through The Cardial Window, will release in 2006 on Kranky --------------------------------- Yahoo! Mail Use Photomail to share photos without annoying attachments.