as i understand glitch i think it's more of a sound then a particular
technique, i've seen it developed and reffered to as glitch in several
different ways. just grabbing chunks of things run through a granular synth
and breaking those apart into individual sounds so that you end up with tons
of little micro sampled clicks and clacks. as well as just microsampling
itself, taking a fraction of a fraction of a sound and stringing them
together to make rhythms.
yeah, i guess it isn't too clearly defined what it really is, but you know
it when you hear it ;).
and as far as the actual question, i don't know that i've really heard
anything that says to me, "well this is the next big thing," what i've been
seeing a lot of is the techniques that have been floating around in IDM
music for the last several years have begun to more and more rear their
heads in more "accessible" types of electronic music, namely dance music and
pop music. i heard a song on the radio yesterday that was for all intents
and purposes something that could have easily been on Morr Music but it had
some horrible pop vocalist shitting all over it.
anyway, my point is, all you nerds need to come up with some new thing to
geek out on, because all the guys who make minimal techno and house are onto
you. ;)
i think i managed to say almost absolutely nothing in this post.
joshua.
On Fri, 2 Sep 2005 12:32:13 -0400, cutups wrote
quoted 69 lines In what context have you seen it used?
> In what context have you seen it used?
>
> In a way, it just sounds like one of those made-up
> Hyperbolies, since "glitch" itself isn't really that
> clearly defined. Its probably not a serious categorization.
>
> The only thing I can think of really that you might
> Use it is when talking about things that incorporate
> Glitchy elements, but have more song-like elements,
> Or strong elements of other genres, maybe like some
> of ellen alien's stuff, or like what exile is doing
> with d&b.
>
> - ctups
>
> ---
> WRECKED electronic music mailorder
> http://wrecked-distro.com
> -----Original Message-----
> From: Obed Vento [mailto:ovento@keyleadsonline.com]
> Sent: Friday, September 02, 2005 12:12 PM
> To: idm@hyperreal.org
> Subject: RE: [idm] post glitch
>
> ditto
>
> -----Original Message-----
> From: Lee Stacey [mailto:lee@codeaudio.com]
> Sent: Friday, September 02, 2005 12:11 PM
> To: idm@hyperreal.org
> Subject: RE: [idm] post glitch
>
> Pushing this one up again because I didn't see any replies (sorry if
> there were some, I must have missed them).
>
> I'm rather intrigued by this also.
>
> -----Original Message-----
> From: shift8 [mailto:shift8@digitrash.com]
> Sent: 28 August 2005 06:37
> To: idm@hyperreal.org
> Subject: [idm] post glitch
>
> hi list - steming from a discussion elsewhere, someone asked "what's
> post glitch" as a progression. obviously, most musical styles have a
> precursor that's pretty easy to trace in the formation of the new style.
> what's post glitch? do you have an example? how has glitch informed
> this new style, and what distinguishes it as being post glitch, as
> opposed to just glitch?
>
> just a ramble,
>
> shift8
>
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joshua.
--
I'm all ABOUT adding kissing to the mix! It's what i do best. - t-rex
http://www.acre-c.com/josh23
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