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From:
Alex Kolisnychenko
To:
'kent williams'
Cc:
'do id'
Date:
Fri, 28 Jul 2023 17:33:57 -0700
Subject:
RE: Aphex Twin Black Box Life Recorder
Msg-Id:
<00a801d9c1b4$5d6f4e70$184deb50$@bytegems.com>
In-Reply-To:
<CAG9msJZb2EABhuOUakSwQfo54Df06gtUVHUbm1kxAyV4EyOk0g@mail.gmail.com>
Mbox:
idm-2023-07.gz
To put this into perspective, this is the mainstream today - https://www.youtube.com/watch?v=dmZlUdXVpHA But sure, let's do struggle sessions after listening to Aphex Twin... ¯\_(ツ)_/¯ -----Original Message----- From: kent williams <chaircrusher@gmail.com> Sent: Friday, July 28, 2023 7:05 AM Cc: do id <idm@hyperreal.org> Subject: Re: Aphex Twin Black Box Life Recorder I could go through the whole litany of his assholishness - threatening women with violent rape on bulletin boards in the 1990s "as a laugh," his divorces, yadda yadda. I know people who know him, and my impression is that he's at turns a complete gentleman and a complete ass. It's best JUST to listen to the music. I love the work of Richard Wagner too, despite him being an antisemitic dog-kicker. In both cases I think they're neurodivergent weirdos who weren't properly socialized. On Fri, Jul 28, 2023 at 8:56 AM Rjyan Kidwell <cexwell@gmail.com> wrote:
quoted 53 lines Toxic sexist awot now?> > Toxic sexist awot now? > What'd our mad Dicky boy say > > On Fri, Jul 28, 2023, 9:43 AM kent williams <chaircrusher@gmail.com> wrote: >> >> It's so weird to still be buying new Aphex Twin music, but I can't help it. >> >> It's important to realize that if he's working in the studio, he's >> not being a toxic sexist conspiracy theory crank. The more music he >> releases, and the less he speaks in public, the better. >> >> Oh, you want to know what I think of the music? It's more of his >> obsessive drum programming and melancholy chord sequences. "Blackbox >> Life Recorder 21f" at the beginning has a weird scraping sound that >> if I'm not mistaken is a filtered version of the chair squeak from >> Alberto Balsam. >> >> It isn't as elaborate a harmonic composition as Alberto Balsam, but >> it is a catchy beat with that vaguely sad harmonic lushness. >> >> zin2 test5 sounds like a continuation of Life recorder, with a >> similar chord progression, but the beat is more persistent, really a >> 140bpm breakbeat, but hand made (as opposed to sampled and chopped), >> sounding like he might be back programming his 30 year old Roland R8. >> >> "in a room7 F760" is more weepy chords and subtle acid bass with >> beats. It's odd that he's essentially made a 160bpm breakbeat track, >> with the shape of a Drum & Bass tune, but with a vibe that's miles >> away. There's a whole aesthetic world in the choice of swing >> strength. He's gone past the customary 5% swing of house music, into >> something that actually recalls the swinginess of 1960s cocktail jazz. >> His touch is light, in contrast with the bombast and drama that drive >> the top drum and bass tracks. >> >> "Blackbox Life Recorder 22 (Parallax Mix)" really only shares drum >> sounds and swing quantization strength with the first version. >> Imagine an ambient piece from SAW II being disrupted by a deeply >> swung >> TR606 beat. >> >> Overall impression: I really enjoy these tunes, but its clear that >> whatever rabbit holes Aphex Twin has been down in the last 30 years, >> he's still fixated on the sounds and vibes he constructed in the >> early 90s. This isn't a bad thing, but you can no longer expect >> anything shockingly new from him. Instead, he's focused on refining >> and extending that legacy. >> >> If you want the new new you can look elsewhere, but if you want to >> be both lulled and disturbed by familiar things made strange again, >> this is a great release. >> >> https://bleep.com/aphex-twin--blackbox-life-recorder-21f