lol i have def had that happen to me before, mixing up albums and artists...
on the topic of mitek-style,
johan skugge also had an album on source that fits the bill: "objects
and buildings" (arguably moreso than his "volume" lp on mitek)
andreas tilliander's "ljud" is a like more organic take on his prior
"cliphop" outing on raster
honestly tho? this is making me more want to setup a lil program to
group tracks in my music library by similarity (thinking similar to that
XO drum vst that came out some time ago)
i'd wager that would def help me narrow down some better recs in that
specific vein
On 2/21/2022 5:17 PM, Rjyan Kidwell wrote:
quoted 70 lines I will def have to check out Motion ward West mineral, this is my
> I will def have to check out Motion ward West mineral, this is my
> first time hearing about them..
>
> Gramm is a great record. Lately somehow I think my most favorite
> Jelinek albums have been the ones made by Tilman Ehrhorn. (Maybe it's
> a symptom of long covid? Similarly finding that my favorite Vladislav
> records are the ones made by Joel Tammik...)
>
> Absolutely seek Stavostrand's albums "Lite" & "Reduce". Up there with
> Makesnd Cassette & Pole 2 imo for instances of truly sublime restraint.
>
> On Mon, Feb 21, 2022, 2:14 PM Chris Taylor <christaylor415@gmail.com>
> wrote:
>
> Dunno about new stuff tbh
> But what about Gramm - Personal Rock
> The Alva Noto / Sakamoto records
> probably too house-y but Rhythm Maker and the Background records
> catalog might have some outliers that don't pin everything down
> with a big kick
> this has Real Instruments but sort of fits the sparse, laid back
> and pointillistic thing:
> https://www.forcedexposure.com/Catalog/superconnection-la-mer-cd/MINIMAL.023CD.html
>
> but yeah I know what you mean - like Dry Warm Soft Glitch
>
> will have to look into Mitek. Stavostrand I've never connected
> with despite making the exact sort of music I like playing (dubby
> tech house w/digital palette)
>
> alot of the Motion Ward/West Mineral producers seem to like the
> ambient side of clicky idm but from i've heard are really cranking
> the verb and delay
>
> On Sun, Feb 20, 2022 at 9:57 PM Rjyan Kidwell <cexwell@gmail.com>
> wrote:
>
> dear idm-l brain trust, is anybody currently carrying the
> torch for the Mitek records style??
>
> This might just be a distinction I've developed in my own
> head, but I've long had a separate little zone roped off for a
> "Mitek style" that is particularly exemplified by Mikael
> Stavostrand's Lite and the first Claudia Bonarelli album
> (neither of which are on Bandcamp!! soulseek em rn if you're
> not familiar).
> Looser than early SND, less austere/robotic than classic
> Raster-Noton, less housey/funky than early Jelinek, but more
> rhythmically-oriented than classic 12k/Line. Less aggressive
> than Mika Vainio and less melodic than Dan Abrams. The
> defining features would maybe be a conspicuous sparseness and
> itsy bitsy microscopic percussion sounds that somehow feel a
> tick more "organic" than most of the Glitch/Clicks n
> Cuts/Whathaveyou that came from more southerly parts of Europe.
>
> Other than Mitek's catalogue, the only other thing I've really
> found that orbit this same vibe are the two El Fog
> <https://flau.bandcamp.com/album/reverberate-slowly> records
> by Masayoshi Fujita. Stavostrand seemed to move into less
> delicate tech-house territory after his (very excellent and
> quite Miteky) record for Force Inc. Bonarelli has a new record
> that is very good but stylistically quite far from "Everything
> Happens."
>
> All this is to say: point me towards more tunes that have
> "beats," but beats made of audaciously tiny components.
>
> yf,
> rk
>
--
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