Only in a "your word against theirs" case.
Generally, it's only a good option if something comes up prior to
getting a chance to apply for a registered copyright. A postmark is
evidence, but it's not tamper proof. But when faced with no other
choice, it's better than nothing at all (especially if you end up in court
against someone with nothing at all).
dave_dunstan said:
quoted 73 lines I've heard if you snail mail yourself a copy of the music written to a
>
> I've heard if you snail mail yourself a copy of the music written to a
> cd or tape and just keep the envelope sealed up, stash it away
> somewhere, that works too ...
>
> dave
>
>
> On Thu, 24 Apr 2003, David Dow wrote:
>
>> Hello All,
>>
>> I have about 15-20 tracks that I am starting to
>> circulate and I need to get them
>> copywritten...copywrited? Anyhew, I also would like to
>> find someone who knows what they're doing to convert
>> these tracks to whatever format so that I can put them
>> up at my web site which is under construction.
>>
>> Thanks!!!
>>
>>
>> Dave
>> --- Jesse Farmer <renku@fuse.net> wrote:
>> > Like everyone else it seems, I'm trying to start a
>> > minuscule label. I was
>> > wondering if any of the more business-savvy list
>> > members might have any
>> > advice on how to approach distributors? Which ones
>> > are good to
>> > contact? Which ones are distributing IDM labels?
>> >
>> > I know some of the players (Watts, Unique,
>> > Majestic). I've looked at the
>> > Dance Music Business Resource regarding
>> > distribution, but it doesn't say
>> > too much about how to approach distributors, or what
>> > they are looking
>> > for. Vinyl or CD releases? How many releases
>> > should a label expect to
>> > have in its immediate catalogue? Or is it even
>> > worth approaching a
>> > distributor; should small labels look to sell
>> > direct?
>> >
>> > I'd really appreciate any advice from some of you
>> > who've done
>> > this. Thanks! -Jesse
>> >
>> >
>> >
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>>
>>
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