> yes! age of adz has some awesome stuff.
I really didn't like it at first but it's slowly been winning me over. :)
On 2/10/2016 3:36 PM, Bruno Gola wrote:
quoted 97 lines On Sun, Oct 2, 2016 at 1:32 AM, Sham Beam <sham.beam@gmail.com
>
>
> On Sun, Oct 2, 2016 at 1:32 AM, Sham Beam <sham.beam@gmail.com
> <mailto:sham.beam@gmail.com>> wrote:
>
> that totally resonates. I was listening to The Age of Adz from
> Sufjan Stevens yesterday in the car and there were a few "fucking
> hell, how
> did he do that?" moments.
>
>
> yes! age of adz has some awesome stuff.
>
>
>
>
>
>
> On 1/10/2016 4:30 AM, Clint Anderson wrote:
>
> http://autechre.net.ua/en/interviews/interview10.htm
> <http://autechre.net.ua/en/interviews/interview10.htm>
>
>
>
> "It's about sleight of hand, where you're revealing things and then
> pulling them back. It's that sort of dynamic. But I think that's Hip
> Hop: the whole attitude of wanting to do people's heads in a
> little bit
> but also give them something that they'll really appreciate
> comes from
> that - Mantronix to early Bomb Squad --- where there were little
> tricks
> in there, and you knew the producer had stuck them in there
> because he
> knew it would do people's heads in. And it'd be like: fucking
> hell, how
> did he do that? Or, that's a totally mad thing to do with your
> track.
> But it didn't suffer because it wasn't. . ." Rob: "Wasn't a
> showcase for
> those ideas." Sean: "It was part of the flow and it worked.
> That's it
> really. That's how we've started describing it now."
>
> "I think a lot of people, when they're constructing complex
> music, have
> this idea that for something maddeningly complex to change into
> something else that's maddeningly complex you've got to do it
> suddenly,"
> says Sean. "But there are millions of ways you can do it,
> because you
> can have your entire track changing piece by piece as it
> rotates, and
> that's what we're into We like things like a puzzle where it's
> revealing
> itself and changing. And you can almost follow it, because it
> works the
> same pace as your brain works. The trick is not to get it to
> work faster
> or slower, but to get it in tune with yourself. And obviously
> there are
> some people who work faster than that, and they'll hear it and think
> this is boring, and there are people who work slower than that, and
> they'll think this is too much. For us it's the right pace."
>
> Clint Anderson
> Systems Engineer
> "Freedom -- paint me a picture!" -- Burton Cummings
>
>
> On Thu, Sep 22, 2016 at 7:03 PM, Clint Anderson
> <clinta@gmail.com <mailto:clinta@gmail.com>
> <mailto:clinta@gmail.com <mailto:clinta@gmail.com>>> wrote:
>
> yeah its interesting i would almost say its a return to their
> classic style of the 'eternally unfolding secret tricks'
> tracks they
> used to do where halfway through you finally sort of more or
> less
> figured out what they were doing to get whatever
> effect/sound, and
> then the second half was just that much more badass
>
>
>
>
> --
> Sham Beam
>
>
>
>
>
> --
> Bruno Gola <brunogola@gmail.com <mailto:brunogola@gmail.com>>
> http://bgo.la/
--
Sham Beam