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From:
Mark DelLima
To:
kent williams
Cc:
Rjyan Kidwell , Alex Kolesnichenko , Chris Bellevie , idm list
Date:
Thu, 1 Oct 2015 11:21:10 -0700
Subject:
Re: autechre US tour
Msg-Id:
<CAK_n=0M1rofBYZN-ELPz-JQbVNasTQLKnZzUrZyLFe48CxigEg@mail.gmail.com>
In-Reply-To:
<CAG9msJY_bc9u5UwC5X8qEaY9wi8kUzWcc_WFPG88MdNAUFWSsg@mail.gmail.com>
Mbox:
idm-2015-10.gz
The dimmed screens are part of the reason why most music created in the last 30 years will disappear to the ages. Technique is something "up the sleeve", computer-aided, secretive, proprietary. I don't listen to Autechre anymore because I don't have patience for long-form conceptual noise anymore. On Thu, Oct 1, 2015 at 11:01 AM, kent williams <chaircrusher@gmail.com> wrote:
quoted 111 lines Caught the Chicago show at the Metro. Sound was great. The stage was dark> Caught the Chicago show at the Metro. Sound was great. The stage was dark > and they were hidden behind monitor speakers, so not like a Lady Gaga > Spectacle. Not much in the way of quiet passages. Lots of savage beats > that almost turn into grooves. Lots of impossibly complicated filtering on > atonal lead synth sounds. > > I thought Cygnus was ... overly busy. Autechre have actually perfected > live electronic music, in that they generally have at most 3 components to > what they're doing, but one component might be kick hits, weird FM noises, > and vowel filtered sustained tones; they build up rhythm patterns with > radically different sounds so that each sound plays alone. At most they'll > add a couple of other sounds -- time stretched screams, granular backwards > guitar, whatever. But the arrangement is actually sparse; the sounds > themselves bring the chaos. > > What I posted to Facebook during the set: > > "Either this is Autechre in Chicago or a black T Shirt convention at the > Metro. Music is overwhelming. Like crashing a helicopter in a hurricane" > "People dancing to Autechre do this thing that looks like Orthodox Jewish > men davening in schul." > "Autechre: Estonian Speak And Spells arguing with pissed-off Orcs." > "Autechre: Robot opposums fighting over chicken bones in a dumpster at the > bottom of a mineshaft." > > On Wed, Sep 30, 2015 at 10:35 PM Rjyan Kidwell <cexwell@gmail.com> wrote: > >> did you smoke weed before they played >> On Sep 30, 2015 11:11 PM, "Alex Kolesnichenko" <support@bytegems.com> >> wrote: >> >>> Laurel Halo was fucking amazing. First half of her show just blew my >>> mind. Second half was more of a standard 4x4 fare – good, but not great as >>> the first half. >>> >>> >>> >>> FWIW, I feel a bit of let down for the whole “show in the dark” thing >>> that Ae did, but yeah, the music is what matters… I was with my eyes closed >>> on pretty much any show I went during the fest, so not a big deal. :) >>> >>> >>> >>> Thanks. >>> >>> >>> >>> *From:* Chris Bellevie [mailto:c.bellevie@gmail.com] >>> *Sent:* Wednesday, September 30, 2015 4:21 PM >>> *Cc:* idm list <idm@hyperreal.org> >>> *Subject:* Re: autechre US tour >>> >>> >>> >>> This pretty much sums up their show at Decibel. Most I talked to after >>> were put off by them playing in the dark, but I loved it, just the sound. >>> >>> >>> >>> In addition to Cygnus and Rob Hall, we had Laurel Halo play before Ae >>> came on. That was awesome. >>> >>> >>> >>> On Wed, Sep 30, 2015 at 4:15 PM, Eric Sorenson <eric@explosive.net> >>> wrote: >>> >>> >>> >>> On Wed, 30 Sep 2015, Chris Taylor wrote: >>> >>> Has anyone caught Autechre on their current US tour? Any reports? >>> >>> >>> Yeah, saw 'em here in Portland last week. >>> >>> The opener (the impossible-to-google Cygnus) was awesome. Live hardware >>> set that was electro-rooted with some great development and movement. >>> http://cygnusat.bandcamp.com/ >>> >>> Autechre played in the dark. Each with their laptop, screens dimmed down >>> to almost nothing. >>> >>> Nothing I recognized, but I haven't really been able to ID individual >>> tracks since Quaristice. The sound at Holocene was pretty good but many in >>> the crowd would not shut up their dumb mouths long enough to hear the quiet >>> passages. Things would go sort of noodly noisey space and then drop into >>> incredibly fast and 'hard' beats, full spectrum clattering glitchy things >>> at 190bpm. Midrange "melodies" like they figured out how to suck sound >>> backwards through the speakers. Pause. Repeat with a variation on >>> timbre/tonality or maybe a hint of an acid squiggle done so fast it was >>> gone before you're sure that's what happened. >>> >>> 60 minutes of this and then they unplugged their laptops and slunk off. >>> Rob Hall did some nice Warp-ish DJ stuff but it was a worknight and I had >>> to go pretty quickly. >>> >>> Was it good? Yeah, it's a treat for the ears. Feels like there is a bit >>> of disdain, or at least indifference, for the audience and what they're >>> hoping to get out of a live show, which I don't think is new. I was hoping >>> for some kind of the 4/4 stuff that surfaced a couple of years back, and I >>> had to resist the urge to shout out "Basscadet!!" like an idm-dork "Free >>> bird!!" .. but as always, we get the thing Autechre want to do, not what we >>> want them to. >>> >>> >>> - Eric Sorenson - N45.569, W122.763 - http://twitter.com/ahpook - >>> >>> >>> >>