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From:
laerm
To:
Date:
Thu, 15 Oct 1998 12:45:59 -0400 (EDT)
Subject:
Re: (idm) david holmes
Msg-Id:
<Pine.GSO.3.96.981015124431.15655B-100000@unix01>
In-Reply-To:
<36256842.861C140D@fourplay.com.au>
Mbox:
idm.9810.gz
On Thu, 15 Oct 1998, Peter Hollo wrote:
quoted 6 lines Just to dissent, I think that "This Film's Crap, Let's Slash The Seats"> Just to dissent, I think that "This Film's Crap, Let's Slash The Seats" > is 1000% better than "Let's Get Killed". I bought the latter album and > sold it after about a week - those vocal interludes recorded on the > street in between the tracks really annoy the hell out of me (I mean, > after hearing them once, or perhaps twice, would you REALLY like to hear > them again and again?)
on one hand, i liked the "street samples" bit. the only part of the entire album i thought was original.
quoted 8 lines On the other hand "This Films Crap" (yeah, the actual album title has no> On the other hand "This Films Crap" (yeah, the actual album title has no > apostrophes, naughty!) is just a totally legendary album. The first > track, "No Mans Land", and the last, "Coming Home To The Sun", share > musical material, and the album's worth it for these tracks alone - epic > sountrack-like stuff. Much of the album is co-produced by Kooner/Burns > of Sabres of Paradise; there are cameos from Jah Wobble on bass and > Sarah Cracknell of Saint Etienne, and indeed Keith Tenniswood (the > "other" Lone Swordsman) plays on one track too.
however, this sounds more like my speed. and jah wobble is the shit as far as i'm concerned. * #### a disturbance in a system. #### laerm. @voicenet.com ##:# i nostri sogni sono sempre presenti