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AFX AB4 Review (fwd)

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1994-09-14 17:27Alan M. Parry AFX AB4 Review (fwd)
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1994-09-14 17:27Alan M. ParryDate: Tue, 13 Sep 1994 16:13:49 -0600 From: Jeff Davis <jjdavis@xnet.com> To: idm-owner@hy
From:
Alan M. Parry
To:
IDM
Cc:
IDM-Reviews , T double EP
Date:
Wed, 14 Sep 1994 10:27:19 -0700 (PDT)
Subject:
AFX AB4 Review (fwd)
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Date: Tue, 13 Sep 1994 16:13:49 -0600 From: Jeff Davis <jjdavis@xnet.com> To: idm-owner@hyperreal.com Subject: AFX AB4 Review Richard D. James has delivered yet another in his series of Analogue Bubblebaths, and the latest is truly a sonic cleansing. The only catch is that to get to the bubble rinse cycle, you must also progress through the rough agitate cycle. On the CD version of this release, you alternate through these modes, which prevents you from ever settling into a listening posture. You really don't know what will hit you next, but that's okay. With AFX, you're in good hands. Track 1 opens with the faucet plinking and dripping softly, then BOOM! - rough acid beat wash cycle. On first listen, this reminded me of a reworked "Quoth", but upon further listen I began to notice and appreciate more here. The entire beat loop is overlaid with an eerily distorted church steeple, chiming away somewhere in the distance. Is it trying to escape from the AFX beat assault? Only RDJ knows. The beat loop has an interesting incorporated sample of either a lock closing or machinery clutch engaging. The assault is relentless here, with only a scratch break to interrupt the barrage. All the while, a distorted scream reminiscent of an elephant trumpeting reminds you that it's okay to feel scared by this track. It ends as quickly and abruptly as it starts. Track 2 is an interim bubble rinse which opens with an AFX birdcall leading into a squirty, squirrelly jingle which reminds me to no end of an old "Dead or Alive" or "Berlin" song, but which could just as easily be the background track to a video game. It's enjoyable nonetheless, and a relief after track one. The birds are brought back in periodically in the background and the hurdy gurdy is altered and smeared so slightly and gradually as it is cross-sequenced to a higher level of complexity. Some nice subdued background percussive programming is added to the mix later in the track. The layers are slowly peeled back until we are left with the bass track and the birds and then -- it's over. Track 3 is the 2nd agitate cycle, which opens with a pounding squonk leading into a frenzied popcorn popper. The machinery is thus engaged and brought up to full raucous speed. This one is slightly more musical than the first agitate, in that a taunting melody loop is overlaid over the pounding machinery. Some of the most effecting moments, however, are when this melody is disengaged without advance warning and the listener is left with only the four-cycle pounding to support his forward motion. The mechanical motor for this piece is processed through a sonic muffler later in the track, and we hear briefly the church chimes from the first agitate cycle still trying desperately to escape from AFX's maniacal machinery. This one also ends quickly and decisively. The final bubble rinse cycle opens with a developing synapse tickling percussive layer which is quite pleasurable because the trilled rolls are rapid enough to be misconstrued as low frequency tones, but they are also soft enough to just tickle the back of your eyelids. This drum basis is mutated and elaborated on throughout the entire track. A sonic ice pick is added on the upside of the second beat in each measure of this 147bpm piece. It is a ricochet sounding impulse which could be a heartbeat or Evan Dando's "It's a shame about Ray" speeded up to a 15 millisecond pulse for all we know. This Chinese water torture plinking is initially quite disturbing, but it quickly becomes familiar and thus comforting, although definitely at odds with the soft ambient washings which compose the bulk of this final soothing bubble rinse. The CD-only outro to ABIV is a twistedly processed sampled discourse in Kneivelian philosophy, as espoused by Evil himself: "There's a very fine line between scared and concerned". A fitting statement on listening to Richard James' music and one certainly echoed by my neighbors when I play ABIV at appropriate volume. Although the split personality nature of ABIV never allows one to get too comfortable, it does make for an enjoyable listen. The rough agitate tracks sonically pound off the troublesome soils and the softer bubble rinse tracks gently pulse the dirt away. I'm running out to get quite dirty, so I'll be ready for ABV!!! Jeff Davis ____--~~~~~~vvvv~~~~ oo jjdavis@xnet.com____---- ( ( ( vvvv ~~~~~~ooooooooooo ___----( ( \ \ \ \ \vvv oooooooooooooo 815.772.1260 ____---- ( \ \ \ \ \ \ \ \ vvooooooooooooooooooooo