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From:
Jon Drukman
Date:
Tue, 22 Feb 94 11:11:14 PST
Subject:
future sound of london
Mbox:
idm.9402.gz
dave walker disses FSOL:
quoted 10 lines Until yesterday, I never could quite put my finger on why everyone>Until yesterday, I never could quite put my finger on why everyone >else seemed to be a lot more impressed with their material than me. >In the course of some intensive Sunday afternoon loafing, I put on >Amorphous Androgynous' _Tales of Ephidrina_, and _tried_ to listen to >it closely. No matter how hard I tried to concentrate on it, I kept >being drawn back to the much more interesting issue of _the New >Yorker_ sitting on my coffee table. As pretty and impressive as >Dougans' and Cockbain's material tends to be, it almost never >*engages* me -- I might as well be listening to a 40 minute sample >CD.
how odd. sometimes i find it hard to remember what their stuff sounds like because it is so advanced... but of course after numerous repeated listenings i can hear just about any part of "ephidrena" in my head at will. i really don't understand all these comments about it being sterile and just a collection of sounds - i hear melodies all over the place. they aren't traditional forms and they aren't played in traditional ways but they are in there. i'd say the fault lies with the listener, not the creators. perhaps FSOL is just too... well... *futuristic* for the people on this list (i'm not singling you out dave) who claim that they want to hear the future of music but in actuality prefer a thumpin' 909, some gratuitous weird noises, and a few simple synth lines around it. i've noticed a tendency when dissing FSOL to say "well, i really liked Papua New Guinea, but this new stuff just doesn't work for me." PNG is a very accesible tune in a standard format that just happens to have a few really well chosen (and integrated) samples. in the Mixmag interview i transcribed a while ago they noted that they had plenty of tracks of that sort of stuff lying around but they preferred to challenge themselves and their listeners by doing something *different*. there was a comment on the list earlier about how someone was disappointed by the aphex twin "on" single since it was similar to other aphex works.
quoted 4 lines beyond "Papua New Guinea", no FSOL track has ever done that for me>beyond "Papua New Guinea", no FSOL track has ever done that for me >(though I will admit to not having heard "Cascade" yet -- the >descriptions lead me to believe it's probably more of the same, >though.)
it's more similar to AA than PNG, yes.
quoted 3 lines I don't *dislike* FSOL -- indeed, they're quite pleasant enough to>I don't *dislike* FSOL -- indeed, they're quite pleasant enough to >listen to, but at this point I've got about as much background music >as I think I'll ever need
well, i couldn't disagree more. if FSOL have a fault, and you did mention this, it is that their music is sometimes abstract and intellectual to a fault. as you said - it engages the head but not the heart. well, if you can listen to "mountain goat" and not be affected, then i guess we don't have much musical language in common. and before giving up on them for good, check out their Curve remix. even people who don't like "cascade" think it's excellent. Jon Drukman jdrukman%dlsun87@oracle.com ------------------------------------------------------------------------------- This calls for a very special blend of psychology and extreme violence.