ed, sorry about that. that area has never before been
used as a full-blown room so no one knew quite what to
expect. now i know it gets a fair bit of sound bleed,
gets colder than a witch's ta-ta and is close enough
to the street that we can't really crank the system, i
think i'd turn down a second offer to do a room in
there.
as far as prevention/preparedness, it's basically
about picking and choosing your venues and sound
engineers based on first-hand experience. and perhaps
investing in some heavyweight portable sound walls =]
live and learn..... i did enjoy your set though!
ez
dave
--- precursor <precursor@optonline.net> wrote:
quoted 31 lines on 12/5/04 3:51 PM, Ed Colmar at
> on 12/5/04 3:51 PM, Ed Colmar at
> ed@greengraphics.net wrote:
>
> >
> > I performed last night at a three room warehouse
> party in oakland. There
> > was a ton of bleed from the other two rooms into
> the IDM oriented room. I
> > felt this killed a lot of the subtelty of the
> music, and really
> > discouraged listening.
> >
> > At least with my stuff, there is a lot of work
> with silence, and
> > crevices... All of which are lost and meaningless
> when other soundsystems
> > are taking up the aural space....
> >
> > How do other people feel about this? How do other
> artists/promoters deal
> > with it?
> >
> > -ed
> >
> > Ed Colmar
> > Time Slips By
> > www.timeslipsby.com
> >
> >
> >
>
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>
> it always pays to go down to the event prior to its
> opening to scope out
> the details such as this and possibly change certain
> things to your
> advantage...as they say "better be safe than
> sorry"... I know it sucks(along
> with my "reply") but theres really no one to blame,
> well except the
> promoters who usually don't know shit anyways.
>
>
>
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