*New podcast by Chris Cutler:* PROBES #25
<
https://rwm.macba.cat/en/curatorial/probes-25-1-chris-cutler/capsula>continues
to trace the importation of non-instruments into compositions and
performances as, in their search for new sonorities, early jazz and blues
musicians, contemporary composers, film composers, rock groups, sound
artists and improvisers hit the toyshop and the hardware store.
https://rwm.macba.cat/en/curatorial/probes-25-1-chris-cutler/capsula
Playlist:
https://rwm.macba.cat/uploads/20190411/Probes25_eng.pdf
Transcript:
https://rwm.macba.cat/en/extra/probes25-chris-cutler-transcript/capsula
https://rwm.macba.cat/uploads/20190423/25probes_transcript_eng.pdf
In the late nineteenth century two facts conspired to change the face of
music: the collapse of common practice tonality (which overturned the
certainties underpinning the world of art music), and the invention of a
revolutionary new form of memory, sound recording (which redefined and
greatly empowered the world of popular music). A tidal wave of probes and
experiments into new musical resources and new organisational practices
ploughed through both disciplines, bringing parts of each onto shared
terrain before rolling on to underpin a new aesthetics able to follow sound
and its manipulations beyond the narrow confines of ‘music’. This series
tries analytically to trace and explain these developments, and to show
how, and why, both musical and post-musical genres take the forms they do.
In *PROBES #25
<
https://rwm.macba.cat/en/curatorial/probes-25-1-chris-cutler/capsula>*
<
https://rwm.macba.cat/en/curatorial/probes-25-1-chris-cutler/capsula>
composers
and performers explore the musical possibilities of the toy room and the
scullery, across the musical spectrum.
quoted 1 line And here you can find the complete series of PROBES
>>And here you can find the complete series of PROBES
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http://rwm.macba.cat/en/probes_tag>
E/N/J/O/Y/