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From:
Matthew Ross Davis
To:
Date:
Fri, 16 Aug 2002 12:10:57 -0500
Subject:
[idm] performing
Msg-Id:
<20020816121057.A18904@ratamacue.sounding.com>
Mbox:
idm.0208.gz
someone mentioned the plaid show as their best live performance, and it makes me wonder what peoples' definition of "live performance" is. in my view, performance is the entire package, and it's done for an actively listening audience, which in turn give energy back to the performer. there is a very important - indeed critical - relationship here. if the performers don't acknowledge that they are there to perform and have an audience, that relationship fails to develop. plaid does not perform. they sit behind their laptops and make cool music while some guy throws video on the screen (i too saw plaid both for the last two tours, and was pretty put out that they used the same setup (and miserable DJ) for both). 80% of the electronica shows i've seen are like this, and that's probably being generous. i was playing a show at the mca in chicago, and the folks on before me finished and came off stage and started saying how they wished that they were facing the screen *with their backs to the audience* so they could see the visuals. then one of them commented that she preferred to be off to the side of the stage, and another guy mentioned he'd rather be completely offstage. the best live *performances* i've seen tend not to be electronica, and unsurprisingly so: laurie anderson, kaffe mathews, joe mcphee, pauline oliveros, phish, frank zappa, squirrel nut zippers, marc ribot w/ mike patton, john zorn's masada, shelly hirsch... one of my favorites was the violent femmes. granted i haven't seen some of the more active electronica folk live (yet... twine will be up performing a show with me, greg davis, m.mercer and warmdesk later this month), but i bet if i concentrated on doing so, i'd be done in a month. :) survival of electronica doesn't mean anything, every style of music must have exemplary performers to keep it alive. productions which use video and other eye-candy to supplant the interaction of live performers are, in my book, not live performances. this is much much longer than i had planned to write, but it's a topic which i think deserves much attention by those who really want to express themselves on stage and *perform* for an audience. m craque dot net --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org