i always thought collage work began in the dada movement but then again i
dont really follow art history that much. couldnt we also apply this whole
sampling issue to photography? lets say i decide to take a picture of some
building and i call that picture my own and i sell it for lots of money.
shouldn't i pay the architect royalties if well all played by the same
rules? the architect designed and built the building on which i based my
photograph. thats more or less the same argument against sampling. (i
support of sampling - im just sort of posing this question as something to
think about.)
matt
quoted 32 lines From: lysaabi <lysaabi@earthlink.net>
>From: lysaabi <lysaabi@earthlink.net>
>To: eye dee em <idm@hyperreal.org>
>Subject: [idm] appropriation in art [was Digital Cutup Lounge on CNN.com]
>Date: Tue, 09 Apr 2002 16:07:55 -0700
>
>Actually sort of the opposite. Look at Duchamp's readymades - something
>not originally presented as art, presented as art.
>
>But really, the first occurrence of sampling is probably with the
>analytical cubists, using pieces of newspaper in collages.
>
>Lisa B
>
>matt salcido wrote:
>
> > i wonder if this sort of nonsense went down during the dada movement...
> >
> > >From: Justin Lovero <jmlnews@yahoo.com>
> > >To: idm@hyperreal.org
> > >Subject: [idm] Digital Cutup Lounge on CNN.com
> > >Date: Tue, 9 Apr 2002 14:06:11 -0700 (PDT)
> > >
> > >http://www.cnn.com/2002/TECH/ptech/04/09/digital.distortion/index.html
> > >
> > >The IDM list members are becoming more legit with each
> > >passing day. =)
>
>
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