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From:
Dan John
To:
George Williamson ,
Date:
Tue, 29 Jan 2002 02:01:36 -0500
Subject:
Re: [idm] Geogaddi first impressions
Msg-Id:
<001401c1a892$d30ef930$d2b48d18@DAN>
Mbox:
idm.0201.gz
I can't wait.... - Dan J. Y : bibowski Founder - BoC Forum http://clubs.yahoo.com/clubs/boardsofcanada ----- Original Message ----- From: "George Williamson" <georgewilliamson@btinternet.com> To: <idm@hyperreal.org> Sent: Monday, January 28, 2002 8:21 PM Subject: [idm] Geogaddi first impressions 'lo Peeps, Just back from the listening session and I thought that a short, track by track review would be in order. The actual preview was in a quite nice church which was very atmospheric, unfortunately the acoustics weren't great and some definition was lost, but you could ertainly hear what was going on. Lots of small plastic turquoise hexagons were dotted around the place (I got to take a few home, and will probably ebay them for millions of quid in a few years...), and there was also a projected show of some kaleidoscope pictures (mainly family snaps and countryside scenes mirrored and spun into art similar to the cover). This review is created after one listening of Geogaddi, the track numbers are likely to be wrong due to the little intro bits probably being at the end/start of other tracks. Undoubtably the review will become painfully awful when the album actually comes out, but I think I'll press on anyway. Track 1: A nice intro rolls over you, like waves at the beach, seagulls calling and noisy synths dominate, children laugh distantly, a typical BOC minute long track Track 2: Return to a grainy synth drone start, overlayed with a ghostly synth melody and clicks, this continues pleasantly for a few recycles with slightly different filters, soon a nice bass beat starts and drives the tune along. Clicks sound somewhat like some of the Arovane/Autechre. Ends with seaside murmuring Track 3: Short distorted merry-go-round style crackly organs (as recorded from a decayed tape) tune twinkling nicely for a short while. Track 4: A somewhat harsh and scary track, autechre style coldness, mauled childrens voices echo about. Bass beats with snaps, very natural, organic sounding noises, culimnate in a hiphop style rhythm. Good track Track 5: Synth intro with some nice reversed reverb samples, an nature video reading about volcanos. Track 6: This is track 4 from the ATP show, and is excellent, mumbling voices singing along to a simple bass beat, with occasional reversals. Nice sweeping synth drones, somewhat landscape like, slow but overwhelming. Track 7: Like music from a seventies TV show, the bit where things get serious. After being run through a lawnmower and dipped in acid... Track 8: Classical mashed up woodwind synth sounds, with distant voices. A violent snapping bass beat presides, somewhat rock like in tempo and style. Track 9: Quack-Quack. Tweet-Tweet. Echoed Postgate/Firmin style musics, flutish through a furry pipe. Track 10: Somewhat retro space styled themes, almost tron like at first, then shifts up to the regular BOC plan, heavy distorted bass beats and a sound like bubblewrap being trodden on, warped backwards with some childrens voices. Track 11: Intro. Water gurgling, TV newscaster (maybe). Track 12: Water gurgling sounds combined with what sounds like a wind intrument rolled in grit, sounds idylic, like being by a pond in the woods. Drum sounds come in, a hollow plastic barrel sound, along with some nice glitchy bits. Some sounds like tube trains in the distance. Eventually returns to the idylic watery sounds. Track 13: Intro track sounding like someone breathing over bamboo pipes (literally). Track 14: One of the tracks from the promo (the one of which people were confused about the playback speed, definately 45). Quite pleasant, although not one of the best, a feeling of speed driven by the lilting melody and drum sounds. Voices, distortion, etc. Track 15: Intro consisting of little couples of reversed notes played in a melody. Track 16: Echoed wooden sounding percussion, lots of children laughing. Crackling, as of frying eggs. Sampled kid saying daaaaaaaad. Long and repetative, my least favourite track (although once I buy the album I'll probably love it...) Track 17: Short organlike 5 note repeat, with occilating synthy stuff. Track 18: Another short track, bubbling bass noises, with voices morphing in and out. Track 19: Nice reversed home wooden organ sounds with reversed echo sounds, very short. Track 20: Tinkling sounds give way to granular grinding synths, dark beefy beats on top. A small childrens choir phases about, acompanied by some short woodwind synth melodies. Track 21: Nursery rhyme style pianos alongside an echoed beat of varying frequency, somewhat like a snare rush of varying speed (but a nicer sound) Track 22: This was probably my favourite track. Initialises with a sound like someone tying baloons together jammed up with a sound like a solid steel car door being slammed in an echo chamber to make a wonderfully catchy loop. The chorus is back, but this time the voices are deeper and somewhat darker, a pseudo bass guitar line comes in nicely parrallel to a smooth violin style synth melody. Some flutes trill in an echoing manner and the tune fades for a few seconds only to swell again, finale of someone singing//shouting to-play-to-play-to-play-to-play. Track 23: Synth swells, were back at the ocean, and a sound like an orchestra heard through a wall of foam plays us out. Overall: Just as expected. Lovely, lots of mangled voices and low res synths chained together with catchy bass beats. All the descriptions cannot convey the niceness of it all and the detail to which things go, the tracks are all individual and yet in the indisputible style of BOC. Samples used seem somewhat more organic and homegrown than before, almost like they found some home videos from when they were six, and this lends a somewhat homey feel. The album consolidates their position as themselves, and again shows that to love it you just have to hear it. It may not be enormously innovative, nor is it (yet) as high in my mind as ABPITC, but it does stand testament to the fact that nobody does this better. Cheerio georgewilliamson "The Key to productivity is to rotate your avoidance techniques" georgewilliamson@btinternet.com http://www.chemeng.ed.ac.uk/~emju49/ --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org