Nice term and well put!
----- Original Message -----
From: "Marc Weidenbaum" <marc@disquiet.com>
To: "Steven" <Steven@undosounds.com>; <substar@iafrica.com>;
<newtype@aon.at>
Cc: <idm@hyperreal.org>
Sent: Thursday, November 01, 2001 10:55 AM
Subject: Re: [idm] anima
quoted 1 line Yeah, I think that the "seamlessness" that you mention is what struck me> Yeah, I think that the "seamlessness" that you mention is what struck me
as
quoted 7 lines well. His 'Multila' was one of my favorites of 2000, and 'Anima' this > well. His 'Multila' was one of my favorites of 2000, and 'Anima' this year
> just enveloped me with the natural way that it unfolds. A lot of the
> lengthy compositons that I enjoy, like the work of Koji Asano and Bernhard
> Gunter, often has a kind of environmental/industrial sense to it, which
> ends up giving it a more casual, musique-concrete feel -- in other words,
> sounds that were happened upon as much as they were planned. 'Anima,' to
> the contrary, seemed -- to employ one of my favorite terms --
through-composed.
quoted 13 lines M>
> M
>
> At 07:22 AM 11/1/01 -0800, Steven wrote:
> > > Vladislav Delay - Anima
> >
> > >REALLY? In your Top 10 for the year? What am I missing? I *like*
> >it, but not nearly enough to get into the top 30. Just curious what it
> >is about it that gets you going?
> >
> >Of course, this *is* an amazing record. It would be number one on my list
> >for this year
> >I think what does it for me is its seamlessness. Though it pretty much
goes
quoted 14 lines back and forth between a couple of chords for over an hour ...> >back and forth between a couple of chords for over an hour ...
>
>
> - - -
> Marc Weidenbaum
> www.disquiet.com
>
>
>
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