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From:
i
To:
Philip Sherburne , 'idm@hyperreal.org'
Date:
Mon, 16 Jul 2001 15:44:45 -0700 (PDT)
Subject:
Re: [idm] RE: re: Laptop Punks and Powerbook Pop
Msg-Id:
<20010716224445.68685.qmail@web10003.mail.yahoo.com>
In-Reply-To:
<8EF2E9ED35FFD411BACA00508BCF57C20353D402@sagan.askjeeves.com>
Mbox:
idm.0107.gz
Maybe Simon Reynolds is just trying to have another genre coined? Didn't he "invent" the title "post-rock"? Aside from that I'd argue that the west coast via artists like Kit Clayton, John Tejada, Weir, User, Twerk & more about 2 years ago trying to push a techno sound something akin to the Berlin Basic Channel/Chain Reaction, but in some respects more more polished. I'm thinking of the Organised Noise Releases http://www.manmade.com/on/ Then they all got into that DSP trickery and it all went to hell in a handbasket... (I'm kidding... ) Prehaps the dotcom boom in San Francisco / Bay Area allowed folks who wouldn't otherwise have been able to afford a laptop to acquire one and put it to their own "evil purposes". In late 1999 companies issued laptops to employees like pens and paper. -i --- Philip Sherburne <psherburne@jeevessolutions.com> wrote:
quoted 43 lines Sorry, but I can't resist: you can tell that you don't really> > Sorry, but I can't resist: you can tell that you don't really > > know much about music journalism, as the article was written > > by Simon Reynolds -- who, love him or hate him, is one of the > > more influential electronic-music journalists out there. > > > > Also, maybe you should pay attention: "this genre," in the > > case of US (and especially San Francisco) artists like > > Clayton, Lesser, Kid606 et al, really has very little to do > > with Aphex & AE, much less Squarepusher. They're trying to do > > something a bit different stylistically (and in terms of > > "branding," seeing that they've all pretty much gone DIY > > without much support from European labels). (I'm tempted to > > say pull your head out of the sand: there are in fact other > > things going on that just Aphex and AE and yes, even Squarepusher.) > > > > Reynolds did comment, in fact, that he tried to develop the > > argument around this generation's differentiation from "first > > wave" european producers, but Spin editors cut that part. > > > > - phil > > > > >Who has seen the latest issue of Spin Magazine? There is > > an article called > > >"Laptop Punks and Powerbook Pop" and it starts off with > > talking about Bjork > > >and Matmos working together on her Vespertine album. The > > article was > > >interesting but you could tell that the person writting the > > article really > > >didn't know much about the music. > > >Apperently they interviewed Matmos, Kid606, Lesser, and > > quoted Kit Clayton. > > >I thought it was quite funny that they believed this genre > > was lead by > > >Americans when the founding pioneers where European. I > > mean, come on, they > > >barely mentioned AE and Aphex Twin, didn't even say anything about > > >Squarepusher. They did however, give props to Matmos, > > Kid606, Lesser, > > >Blectum from Blechdom, Marumari, Kit Clayton, > > Phthalocyanine, Hrvatski, > > >Safety Scissors, and Cex. Imagine that. > >
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