quoted 12 lines all y'all pining for squarepusher's glorious days of "feed me weird>all y'all pining for squarepusher's glorious days of "feed me weird
>things" could do worse than to check out jack dangers' new Bomb the
>Bass 12". the a-side is full of sparkling keys and frenetic breaks,
>filtered just so, in that particularly vintage jenkinson/spymania
>way. it sounds a little uninspired, to my ears -- i've heard enough
>of that particular effect -- but the b-side's got more up its
>sleeve. B1 is a sort of eerie downtempo track that'll probably
>appeal to fans of vibert, but my money's on the B2: hella funky,
>super-chopped breaks paired with some grinding bass action and layer
>upon layer of burnt-around-the-edges melody, like boards of canada
>all cranked up after a *really* rough night. i think it's fucking
>lovely, in fact.
Isnt Bomb the Bass the guise of Tim Simenon? What does Jack Dangers
have to do with it? Regardless of producer, i'll certainly check out
the new Bomb The Bass ep that Philip mentioned because I enjoyed the
Bomb The Bass/Lali Puna - Clear Cut ep so much.
On a related note, I really enjoyed the first release on Tim
Simenon's Electric Tones label which was the Electric Tones 1234 comp
2x7" that came out earlier this year. It contains original tracks
from Opiate, Flow Creator (tim simenon), and Club of Chaos (?) that
would appeal to those into the light melodic Morr Music/Hobby
Industries style of electronica.
--
-->-Lance----
PO Box 450715
Westlake, OH 44145
United States
---------------------------------------------------------------------
To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org
For additional commands, e-mail: idm-help@hyperreal.org