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From:
Jeff Shoemaker
To:
Date:
Fri, 16 Jun 2000 11:08:38 -0500
Subject:
Re: [idm] RE: Sampling and "Art"ists.
Msg-Id:
<3.0.6.32.20000616110838.00827c40@texas.net>
In-Reply-To:
<D79909C367EAD3118D3E00508B9B0EF576523B@NYC3MSG01>
Mbox:
idm.0006.gz
quoted 3 lines All I really wanted to talk about was the way Luke Vibert creates his work>All I really wanted to talk about was the way Luke Vibert creates his work >and about how that particular song's meaning changed for me because of new >knowledge.
perhaps i'm a little naive, but i always _assume_ with Vibert that the material is sampled. when it's not, i feel like it's pertty obvious ("My Organ's in your Face," "Juicy Luke Vibert," etc.) anybody that still uses "funky drummer" is gonna sample just about everything :) on the "Robby Rooby Roo" aspect of discovering that your assumptions were wrong discovering that sample origin: i LOVE finding out where stuff is sourced from. of course, i suppose i am pre-disposed to sample-heavy/collage music, so i guess i wouldn't be disappointed at all in discovering that something was sampled and not "created." usually in such instances it's more of a "hats off/touche" kinda feeling that i have: vibert is a genius at this kind of silly recontextualization. if you've heard the unreleased stuff that's been making the rounds there are entire tracks that seem to come from Fat Boys "Crushin'" and Run DMC "Raising Hell." maybe i'm just tickled at the idea that me and Luke were buying the same records in 1988 :) i guess there's no real "new" idea expressed in this post that others haven't already gone over, but i wanted to say it. np: Gorki's Zygotic Minci. i dunno how a band can make an entire career out of copying PF's "Atom Heart Mother" LP, but it's good :) ------------ 1642 try 621 ------------ --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org