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From:
sm@4thWorld
To:
Cc:
, ,
Date:
Fri, 07 Feb 1997 11:02:59 -0800
Subject:
(idm) underground v mainstream
Msg-Id:
<32FB7C63.7DDD@dial.pipex.com>
Mbox:
idm.9702.gz
From: (Greg Eden) Subject: Re: (idm) underground v mainstream On Thu, 06 Feb 1997 12:49:53 -0800, 4th World wrote:
quoted 5 lines 2. they are *white* , this is a race issue , why has the music of black>>2. they are *white* , this is a race issue , why has the music of black >> pioneers like carl craig , mike banks, derrick may , juan atkins been >> ignored in the us for the last 10 years , miles davis had the same problem , >> as longs as it is watered down , reconstituted and sold with a white face >> america will by it
quoted 4 lines none of the above have ever made any pop music. so they are not>none of the above have ever made any pop music. so they are not >popular acts. >the prodigy and the chemical brothers and even to some degree orbital >make pop music. so they are popular acts.
the chemical brothers , orbital - pop music, get a grip so any artist who gets into the charts could be designated as pop music because they are *popular*, irrespective of their generic style of music, what about all the early warp acts like LFO that got in the charts - are they 'pop music' From: Prymal <primal@interaccess.com> On Thu, 6 Feb 1997, sm@4thWorld wrote:
quoted 5 lines 2. they are *white* , this is a race issue , why has the music of black>> 2. they are *white* , this is a race issue , why has the music of black >> pioneers like carl craig , mike banks, derrick may , juan atkins been >> ignored in the us for the last 10 years , miles davis had the same problem , >> as longs as it is watered down , reconstituted and sold with a white face >> america will by it
quoted 3 lines oh maaaaaahn! get a clue!! the reason why craig, et al. were overlooked>oh maaaaaahn! get a clue!! the reason why craig, et al. were overlooked >was because the style of music was not popular at the time, not the color >of their skin.
nah -, take the example of jazz , jazz only became popular in america when it was performed by white artists , sold by white record company's and written about by the white press, artists like chet baker sold millions whilst miles davis & charlie parker were unknowns - sounds familiar don't it? this is in direct parallel with the 1990's , the creators and innovators have been usurped and replaced by artists who once again bring an acceptable face to once revolutionary musical movement, maybe you don't care about the ethics involved, but in our minds it adds up to nothing less than mass cultural explotation Written by "James" <JSEO@us.oracle.com>
quoted 6 lines But Stuart, the American masses have recently had a massive love affair with>But Stuart, the American masses have recently had a massive love affair with >gangsta rap, which is clearly black music but have topped the charts many >times over and generated a ton of press. Many people have put forth the idea >that one of the reasons for gangsta rap's success is that suburban/city >non-black youths can listen to it and feel 'dangerous', like they're living on >the edge themselves.
yeah - but all gangsta rap has done has re-inforced the stereotypical image that white middle class america has of black culture , a lot of rappers are now railing againts 'gangsta rap', these guys are saying that the only way a black artist can make it in america is to 'uncle tom it'........ some relevant quotes "black people cant get the opportunity to be artists. They can get a chance to be entertainers all they like , but they cant get the opportunity to be true artists. Record companys want to take their chances with marketable people which happens to be the people of their own gender,colour or race" DERRICK MAY "If me , Derrick May and Kevin Saunderson had been white , we would have been the biggest thing since sliced bread" JUAN ATKINS "Derrick compares his situation to Goldies , pointing out that 'Timeless' was a perfect beautiful record than failed to sell in the US because record companies, radio stations and musical infrastructure still could not deal with a black man producing non-recognisably black music" QUOTED FROM MIXMAG DERRICK MAY INTERVIEW 4thworld crew http;//dialspace.dial.pipex.com/4thworld/