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Wed, 28 Jun 1995 16:02:06 -0700
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reviews
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<199506282302.QAA25386@ese.UCSC.EDU>
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I haven't seen much discussion out side of a brief mention for each of these so i thought i'd review each since i've been playing them for the past few weeks. The Deseo Remixes: Any excuse for new material from FSOL, Global Comm & Transglobal Underground is fine with me, even if it does have vocals by Jon Anderson on it. Although I liked "Spiritual High" a long time ago, jon's vocals are a bit annoying on this one. Is he trying to give this disc a world flavor by singing in his own contrived monosyllabic language (as well as english)? oh well, enough cynicism. Deep Forest remixes: Deep floresta- this one's kind a boring, too much Jon for my taste & the remix is rather unexceptional, no where near as good as Deep forest's remix of Apollo 440 or Youssou N'dour.Speed Deep- this one's a little better, standard house/trance mix, samples of Jon aren't as obtrusive on this one even though there's probably about just as many as the other mix. not quite as unexceptional as the other mix, but forgettable just the same. Transglobal Underground remixes: Intercity 125 mix-spacey dub house mix. makes minimal use of vocals (and the most palatable ones too, these might not be Jon's though, just the background singers). Variation in the song is slight & might wear on those who don't like a steady housebeat. Master Mute vs. The ToneE Programme mix-some of the same spacey synths as their first mix, but the beat is slowwed down, intro is nice, but then... AAAAHHHH! Jon's vocals start up. Not to worry, there's the Master Mute Instrumental mix which is very similar, but without the vocals. FSOL Deseo Reconstruction: This one's nice. starts off with some chirping bird noises and the world vocal sample. Slowly moves into a groove more similar to FSOL's Lifeform's single than the ISDN stuff. Too bad there's only one FSOL mix. Global communication remixes: Amor Real-nice ethereal synths with some booming background synths which provide the beat. song gradually builds and mixes in flute & string sounds & some of jon's voice (in echoe) which actually workds extremely well (no cringing during this one). Bless This- this one starts off with vocals (Jon's?) some of which sound like female vocals (perhaps background vocals). a heartbeat-like beat steps in & the vocals continue to echoe back and forth, another excellent remix. Overall: skip the deep forest & transglobal underground mixes put on either global comm or FSOL remix. Still haven't figured out exactly what's being remixed here, what jon anderson's part in this project is, whether this is an album, ep or single; and just exactly what "deseo" is; but i am happy to get more FSOL & GC. Going Global Series (UK) I saw this on vinyl but didn't check to see if the format was the same. This is also on 10XCD singles. However since most are 13-16 minutes, this all could have fit onto 3 CDs, though the fold out packaging with individual slots for each CD is quite interesting (though it takes up more space than i would like). Another not so wise move was to put all the remixes of the same song on the same CD-no chance of mixing dub's w/ vocal versions here. Tracks: Rachid Taha vs. Justin Robertson: while i didn't care much for the original release of this (in the US the original JR remixes were released on ffrr 12"). These 2 mixes are significantly better. The prankster guitar thud opens with vocals and mixes in bongos, then the thumping house beat and assorted other noises, much more variation than the original 12" makes it more interesting. lionrock orchestra dub is sans beat, just congos & JR's trademark horn sound with some minimal synth & guitar sound and some vocals from the original not on any of the other mixes. rachid taha vs. JR: I know that voila voila was released as a single, but i don't remember if this one (indie) was. the game is afoot mix is standard JR fare and gets monotonous after all the sounds have been put into the mix. flute is nice, including the vocals may have helped give it more variety. the next two mixes are even more monotous than the first. cheb kaled vs. development corp. (chebba): this was also released (in the US on Island). mixes here are man city mix, man city instr., overworld dub mix. standard dance floor fare here, ok for a while but gets boring after a few minutes. mory kante vs. oliver lieb, resistance d.: ambush vocal mix is harthouse trance (lite) with some funky guitar & bongos(?) over it. chunky. beat stops and vocals step in and the beat steps in again. Interesting dance floor fare. instrumental mix & ambush vocal edit are more of the same. resistance d. mixes (vocal/dub) are slower and distort the vocals more (actually the looping of vocals on this gets monotonous as the same 3 words are repeated throughout the mix). cheb khaled vs. dom. t, dmitri, al stone: al stone gives this a standard hip hop beat and keeps the full vocals intact. dom. t gives it an annoying house mix, very repetitive on the beat, vocals &synths. the casbah mixes (dmitri?) are the best, various drum noises and some guitar work gives it nice variety. cheb khaled vs. fluke (kebou): this is probably my favorite of the 10, the slow mix (92 bpm) is very dubby, much like fluke's remix of Little Axe, with nice spacey noises & enough vocals to give a feel for the original. the 132 bpm mix is very much like "Slid" w/ only a trace of the vocals in the background. the xpensive mix is fluke doing jungle w/ cheb's voice thrown in here and there. alex maden vs. dread zone (bakala): this one's nice to. first mix is dub house disco with an indian flavor. second mix is more dub, less disco and fewer vocals, last mix is a hip hop (lite?) mix with dark synths washing over the mix and a very familiar (musical) sample which escapes me at the moment (could be the orb). sakan (timefax):no one remixing here. too bad. this one's pretty much a throwaway. a droning synth, a house beat, no vocals. blaah. mory kante vs. hardfloor (yeke yeke): you've heard this one already. vocal mix is a ffloor-filling trance choon. rachid taha vs. atlas (d'abord d'abaord): nice hip hop ditty here, minimal on the vocals, nice guitar rhythm, though there could be more variation on a theme here.