Funkst?rung tongiht @ the Mirabeau Room >> Monday June 28th
*JARGON - Dreaming in Stereo - Decibel Festival proudly present:
quoted 1 line Funkstorung (K7, Musik Aus Strom) Germany
>>>Funkstorung (K7, Musik Aus Strom) Germany
Live PA featuring:
Chris De Luca - laptop
Michael Fakesch - laptop
Andreas Keller - bass
Enik - vox
with opening acts:
quoted 2 lines Nordic Soul (Jargon) - Live PA featuring laptop, bass and vox
>>>Nordic Soul (Jargon) - Live PA featuring laptop, bass and vox
>>>Eddie - DJ set
*LIVE VISUALS BY FOC:EYE
Tickets are $10 at the door
Doors open at 9pm
the Mirabeau Room
529 Queen Anne Ave N
www.themirabeauroom.com
Funkst?rung ABSOLUTELY KILLED IT last year!!!!
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quoted 1 line Unfamiliar!!??
>>>>Unfamiliar!!??
Here's some info Employing acute attention to detail, Funkst?rung excavate
electronica's prettiest of melodies and merge these with flickering,
debilitated beats to create some of the early twenty -first century's most
evocative and resonant music. The Munich-based duo assemble sonic glitches,
crackles of static and curt electronic clicks with the painstaking precision
of the fetishist to create oft-brutal, oft-lovely recordings: tellingly,
they derive their name from the German for "radio interference" and their
logo is an abstracted version of Deutsche Telekom's warning sign for the
phenomenon. Michael Fakesch (b. 8 March 1975, Rosenheim, Germany) and Chris
de Luca (b. 11 May 1974, Kolbermoor, Germany) are probably best known for
their radical redesign of Bj?rk's "All Is Full Of Love' which re-invigorated
the final track of 1997's Homogenic with glacial rhythms and a scattering of
astringent beats. Their own recordings for the Chocolate Industries, Fat
Cat, Skam, Compost and their own Musik Aus Strom record labels are equally
compelling. The duo's first album length release, 1999"s Additional
Productions, was an archive compilation of their best
remixes/re-interpretations that demonstrated the Fakesch/de Luca aesthetic
as applied to other people's music (Bj?rk, Finitribe). With reconstructions
of tracks by East Flatbush Project and the Wu-Tang Clan, Funkst?rung notably
traced the common threads shared between electronica and hip-hop. The
release also showcased the duo's new-found desire to experiment with the
human voice: words are warped, accelerated, slowed-down and manipulated
against rapid, staccato beats. Fakesch also released the solo Marion at the
close of 1999. Compiling new and previously released tracks, Marion is less
overtly melodic than Funkst?rung's collaborative recordings, foregrounding
Fakesch's hyper-detailed rhythms. The duo's first collection of new tracks
was released the following April.
visit www.funkstorung.com
ALSO>> Check out this weeks Data Breaker article by Dave Segal:
http://www.thestranger.com/current/data.html
*check out www.dbfestival.com for more info
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