179,854Messages
9,130Senders
30Years
342mboxes

← archive index

RE: (idm) mojo workin'

2 messages · 2 participants · spans 1 day · search this subject
1999-08-30 17:41Aaron S Michelson (idm) mojo workin'
1999-08-31 16:22Kelley Hackett RE: (idm) mojo workin'
expand allcollapse allclick any summary to toggle that message
1999-08-30 17:41Aaron S MichelsonFrom the Onion's interview with Mojo Nixon: O: Your new song, "Machines Ain't Music," says
From:
Aaron S Michelson
To:
Date:
Mon, 30 Aug 1999 13:41:53 -0400 (EDT)
Subject:
(idm) mojo workin'
permalink · <Yrmg9Vm00UiA04n0U0@andrew.cmu.edu>
From the Onion's interview with Mojo Nixon: O: Your new song, "Machines Ain't Music," says that all techno music is disco, "and disco sure does suck." MN: There's been a resurgence. I was at Woodstock a month ago; the radio station sent me up there. The Chemical Brothers and stuff--it's just horrendous! Horrendous. O: To you, it's as bad as disco in the '70s? MN: And it could possibly be worse. But it's equally as bad. I mean, if you have shit sandwiches, it's one of 'em. There's no soul; there's no funk. All this--what's it called, techno or somethin'?--is all just noise. I mean, to me, anyway. It's just disco, just bad disco. O: What are the kids getting off on, then? MN: Well, hopefully they're getting laid. And hopefully, they're on something. 'Cause from my perspective, you've gotta be on something to listen to that crap. They had these raves going on. Rave music sounds like an electronic disco version of '30s Universal monster movies. It was all kind of minor-key and ethereal and somewhat ominous in a light way. That's what it sounded like to me. I about went berserk. I firmly believe if you can't take an acoustic instrument and make people from a different culture butt-dance, you aren't doing shit. Aaron np: a shit sandwich from King Britt and Sylk 130 (Season's Change)
1999-08-31 16:22Kelley HackettThis is an interesting interview......I would like to hear his music.........but in some w
From:
Kelley Hackett
To:
'Aaron S Michelson'
Cc:
Date:
Tue, 31 Aug 1999 11:22:48 -0500
Subject:
RE: (idm) mojo workin'
permalink · <397CA68ABF5AD111863C00805F0DDE98033F80@aba.iupui.edu>
This is an interesting interview......I would like to hear his music.........but in some ways, especially when he says: I firmly believe if you can't take an acoustic instrument and make people from a different culture butt-dance, you aren't doing shit. he has got a point...... Maybe he just hasnt heard Stasis/Phenomyna--ha ha O-10!
quoted 37 lines -----Original Message-----> -----Original Message----- > From: Aaron S Michelson [SMTP:asm2+@andrew.cmu.edu] > Sent: Monday, August 30, 1999 12:42 PM > To: idm@hyperreal.org > Subject: (idm) mojo workin' > > From the Onion's interview with Mojo Nixon: > > O: Your new song, "Machines Ain't Music," says that all techno music is > disco, "and disco sure does suck." > > MN: There's been a resurgence. I was at Woodstock a month ago; the radio > station sent me up there. The Chemical Brothers and stuff--it's just > horrendous! Horrendous. > > O: To you, it's as bad as disco in the '70s? > > MN: And it could possibly be worse. But it's equally as bad. I mean, if > you have shit sandwiches, it's one of 'em. There's no soul; there's no > funk. All this--what's it called, techno or somethin'?--is all just > noise. I mean, to me, anyway. It's just disco, just bad disco. > > O: What are the kids getting off on, then? > > MN: Well, hopefully they're getting laid. And hopefully, they're on > something. 'Cause from my perspective, you've gotta be on something to > listen to that crap. They had these raves going on. Rave music sounds > like an electronic disco version of '30s Universal monster movies. It > was all kind of minor-key and ethereal and somewhat ominous in a light > way. That's what it sounded like to me. I about went berserk. I firmly > believe if you can't take an acoustic instrument and make people from a > different culture butt-dance, you aren't doing shit. > > > > Aaron > np: a shit sandwich from King Britt and Sylk 130 (Season's Change)