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Re: (idm) new inoue

3 messages · 3 participants · spans 7 days · search this subject
1998-10-04 06:58sfwd productions (idm) new inoue
1998-10-08 05:49boomboomkids Re: (idm) new inoue
└─ 1998-10-11 02:06Mark Kolmar Re: (idm) new inoue
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1998-10-04 06:58sfwd productionsInoue fans or otherwise... caught this on the ambient list but hoped it'd be of interest h
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sfwd productions
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Date:
Sat, 3 Oct 1998 23:58:38 -0700
Subject:
(idm) new inoue
permalink · <199810040656.XAA06089@sub.sonic.net>
Inoue fans or otherwise... caught this on the ambient list but hoped it'd be of interest here... ------- Forwarded Message Follows ------- comes out 10-20 TETSU INOUE: WATERLOO TERMINAL ARCHITETTURA SERIES VOLUME 2 The Channel Tunnel Railway Terminal at Waterloo is the gateway to the high speed rail tunnel beneath the English Channel that connects England with Paris. The terminal serves the same function as an airport, housing immigration, customs, arrival and departure lounges serving 15 million passengers per year at a rate of 3,000 people traveling in each direction per hour every day. With an average travel time of three hours from start to finish, the Eurostar rail service based in the Waterloo Terminal provides an attractive alternative to the prospect of journeying out to distant Heathrow Airport only to encounter all the attendant delays that seem inescapable in the operation of air traffic. Tetsu Inoue has responded to the challenge of composing for the Waterloo Terminal with a vocabulary specifically suited to a marvel of technology. Unlike the timeless dreamscapes of his previous work, here the foremost element is the crackle of electrons in motion. Here, the ambiance of a large enclosure; there, the roar of the crowd echoing into random background noise; everywhere the dance of electrons pulsing through the circuitry of a vast and complex structure. And remarkably &emdash; even startlingly &emdash; the music was not merely inspired by the Waterloo Station, but in a very real sense it was composed by Tetsu in collaboration with the station Tetsu scanned over 1000 real and digitally altered photographs of the station into his computer and dumped them into his music software, which mathematically translated the arches and surfaces of the structure into electronic sound. It is as if the station itself were given voice, which Tetsu then shaped by altering pitch, timbre, resonance and rhythm, creating a linear collage born from his artistic interpretation of the architecture itself. brap@sonic.net icq_12645306 coming sooner than later: sfwd0004 - pre-mil·len·ni·um soundscapes 12" chris g. 1547 boston court #7, santa rosa, ca 95405 http://www.sonic.net/~brap/
1998-10-08 05:49boomboomkidssounds like Tetsuo used Metasynth and he's taking ideas from Uwe Schmidt (aka Atom Heart)
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boomboomkids
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Wed, 07 Oct 1998 22:49:32 -0700
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Re: (idm) new inoue
permalink · <361C526C.79B582A@earthlink.net>
sounds like Tetsuo used Metasynth and he's taking ideas from Uwe Schmidt (aka Atom Heart) who is also using pictures for synthesis of sound interesting shit..........
1998-10-11 02:06Mark KolmarOn Wed, 7 Oct 1998, boomboomkids wrote: > sounds like Tetsuo used Metasynth and he's takin
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Mark Kolmar
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Date:
Sat, 10 Oct 1998 21:06:25 -0500 (CDT)
Subject:
Re: (idm) new inoue
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Re: (idm) new inoue
permalink · <Pine.GSO.4.02.9810102052390.3971-100000@typhoon.xnet.com>
On Wed, 7 Oct 1998, boomboomkids wrote:
quoted 3 lines sounds like Tetsuo used Metasynth and he's taking ideas from Uwe> sounds like Tetsuo used Metasynth and he's taking ideas from Uwe > Schmidt (aka Atom Heart) who is also using pictures for synthesis of > sound
Who knows which direction the ideas travel? Everyone adds their own touch, and those new twists recirculate. I used a program on the Amiga similar to Metasynth for many sounds in Soundtrack for "Chaos Theory in Practice" (should be out sometime but probably not next). I have also read about a Japanese artist who translated the shapes of I think Japanese characters into short (20ms?) "atoms" of sound. The process was quite involved and I can't recount it. The point is there are few -new- ideas, but many possible applications of those ideas. --Mark __ <http://www.xnet.com/~mkolmar/BurningRome> <MPEG 3 & RealAudio tracks> October 19th: SENSELESS CD on Mindfield Records MindCD03 Cathartium 14