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(idm) Re: idm V1 #1113

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1997-05-31 21:290 (idm) Re: idm V1 #1113
1997-06-01 03:16Seofon (idm) Re: idm V1 #1113
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1997-05-31 21:29galaxey@earthlink.net> > However, it * CAN* say a hell of a lot about the quality of your arguments BULLSHIT! w
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Sat, 31 May 1997 21:29:00 +0000
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(idm) Re: idm V1 #1113
permalink · <3390981C.4EBF@earthlink.net>
quoted 2 lines However, it * CAN* say a hell of a lot about the quality of your arguments> > However, it * CAN* say a hell of a lot about the quality of your arguments
BULLSHIT! what does knowing anything about *ME* have to do with a statement I make. It's the statement that counts, not me!
quoted 4 lines Again, I can't stress this enough: its not about age, music collection,> > Again, I can't stress this enough: its not about age, music collection, > music making habits or career. However, it will certainly let us all know > where you *realy* stand in relation to your arguments.
If its not about age, music collection, etc, why ask it? Why should it matter where you "REALLY" stand. If you argue and your argument is more reasonable (or in our case INTELLIGENT, *cough, cough*) than the last guy, then you win! I should have to disclose shit to the list just to show I know what I am talking about. It is evident in what I say.
quoted 8 lines The flamers could respond: I don't see the point. Why should anyone know> > The flamers could respond: I don't see the point. Why should anyone know > about my private life? What does age have to do with it? Why should I own > anything more than my Aphex Twin and Orb records? Why should i make music > or d.j. to argue about music? What does my *job* have to do with it? > > nothing at all realy, its just nice to get a fighters *stats* before they > get in the ring.
guess you read my mind before I even read your post. If has nothing really at all to do with the sake of argument you just wasted all our time. You don't need stats, once you see Hagler in the ring you know he's gonna kick your ass, RUN!!! Same thing applies; is another list member just shot down your argument, tough shit buddy, you should know what you're talking about before you dish it out... just a counterpoint, not a flame 0
1997-06-01 03:16Seofon>Cutting out posts that contain these words and nipping these >ridiculous discussions in t
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Seofon
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Sat, 31 May 1997 20:16:57 -0700
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(idm) Re: idm V1 #1113
permalink · <199706010316.UAA07843@shell.wco.com>
quoted 6 lines Cutting out posts that contain these words and nipping these>Cutting out posts that contain these words and nipping these >ridiculous discussions in the bud would make the list a much nicer place, >I think. (I also think that posting flamebait news about "mainstream" >musicians without provocation, which is what started the most recent >discussion, should be grounds for removal from the list, but that's >probably too much for most people).
Many seem to have the idea that these protracted discussions about underground/mainstream/sellouts/Reznor, etc., are some sort of misguided, shameful activity. Granted, it probably wasn't what Alan had in mind, but if it's what we're talking about then ... it's damn well what we're talking about, isn't it?! Ridiculous? Well, maybe so, but that doesn't mean it's not valuable -- I think it is. These are things that we, as music lovers, seriously need to be thinking about. Aesthetic judgments aside, Trent is in a interesting position, and has enough visibility that we get to use his experience as our timely education. If I were an IDM artist, I'd be studying Trent's career like a textbook.
quoted 4 lines now, if reznor has his own>now, if reznor has his own >mailing list, newsgroup, record label, and seems to be a constant topic >of discussion in magazines, on the RMI, and now "here," you can't dismiss >the effect his work has on electronic music.
Bingo. Music period, for that matter. He's raising some serious questions, not only to us but to himself, and I applaud him for facing them. Besides, it's not like he lifted himself to this status by his own bootstraps or something. It takes two to tango, and we as the 'public' are part of the equation. Nobody's twisting our arms to talk about him.
quoted 4 lines i think people just get>i think people just get >jealous when they see a group working with musical techniques which are >considered "underground." and, most importantly, manage to make it work, >and available to the "mainstream" public.
Of course they do.
quoted 2 lines that's such an arrogant/>that's such an arrogant/ >elitist outlook that would seem to harm the music industry.
How do you figure? Competition, arrogance, and elitism are the industry's bread & butter.
quoted 8 lines even though>even though >i didn't particularly care for The Downward Spiral, NIN/Reznor would be >one of the last people i'd consider talentless. he's just a smart guy, >who knows what the next "big thing" is going to be, and goes from there. > but i doubt his next release is gonna be a d&b album. lyric wise, if >the guy feels like shit 80% of the day, then let him sing about it. i >think if he was trying to cater to the interests of others in that >respect, he would've changed his lyrical content a long time ago.
Maybe. Try this on, though: THEN: Trent was a bratty adolescent who wrote a bunch of angst-ridden songs, got hooked up with some great producers, and crafted an album that, for one reason or another, caught the public's attention. The industry caught the scent and it was all fun and games ... NOW: Trent is around 30. He is a rock star, a performer. NIN isn't some frustration vent any more, it's his _job_. He doesn't really have a lot to scream about any more, unless it's how he sees his own mug every time he opens a magazine. I don't think he's written any new NIN material in quite some time. If I were him I'd be doing some serious head-scratching, feeling a lot like I'd painted myself into a corner. _Now_ what? Quit? Delve into self-parody? Do soundtracks? Start a label? --Seofon