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From:
patrick haenelt
To:
Date:
Fri, 31 Mar 2006 01:04:37 -0800 (PST)
Subject:
[idm] (SEATTLE) Copy (live) w. Truckasauras, Atole and Kinoko
Msg-Id:
<20060331090437.21221.qmail@web36912.mail.mud.yahoo.com>
In-Reply-To:
<20060331035607.14909.qmail@web32708.mail.mud.yahoo.com>
Mbox:
idm.0603.gz
this one is going to be a real pleasure a night of all live music! everyone on this bill is in top form and represent the electro proper. COPY is on tour right now supporting a new recording on Portland's Audio Dregs label and our good friends Truckasauras will be on hand as well to keep a smile on your face.... ATOLE and KINOKO open........ see you all tuesday! cheers.... Sensory Effect presents OSCILLATE-- tuesdays at The Baltic Room--1207 pine st. Seattle WA 9p $4 with residents ELECTROSECT and GREG SKIDMORE live visuals by SCOTT JAMES (of The Now Device) Tue. April 4 we welcome special guests COPY (live-audio/ dregs-PDX) TRUCKASAURAS (live-fourthCity-SEA) ATOLE (live-audio dregs-PDX) KINOKO (live-fourthCity-SAEA) here's a bit about our guests... COPY Portland, Oregon’s Marius Libman, otherwise known as Copy, busts through the gates with a fully developed and essential sound on his debut LP, Mobius Beard. Combining dense harmonies, delivered in an 8- bit baroque electro style somewhere between Yellow Magic Orchestra and Ratatat, with snap-tight digital beats reminiscent of Dabrye, Copy has created an emotionally affecting sound that doesn’t neglect the dance floor. On Mobius Beard, fuzzy bass synths ride syncopated drum patterns, jump-cutting into ambient spaces and cresting in victorious melodic themes. The result is a crossover work of electronic pop that will appeal to both hardcore sound boys / IDM nerds and the casual listening masses. TRUCKASAURAS is Ryan Trudell ,Adam Swan, and Tyler Swan of fourthCity legends Foscil. in this guise, they are pull out their Gameboys and Midi patching them together with real time use of vintage gear like TB303s, Roland beat boxes and analogue synths to create a fun stew of electro and melodicaly squelchy tones and dance rythms. Complimenting their unique sound is a video montage of WWF wrestling loops depicting not- so- subtle homo-erotic imagry overlaid with Monster Truck footage. Extremely entertaining and hillarious; but don't be fooled by their humor--these boys have a knack for intricate detail and nuance that one would not expect from such a playfull demonstration. ATOLE When Atole (Manny Reyes) performs, he doesn't just sing. He transports a room with a thin stream of falsetto, boom-box noise installations and Spanish folk singalongs. OSCILLATE plays host to the recent Portland transplant's weirdsmobile infusions of IDM, Latino heartache and childlike psychedelia when Reyes unveils his latest release, a three-track "emo-electronic instrumental" EP documenting the Haitian civil war called Trust Napoleon, You Uppity Slaves , tonight. "I'm like a lounge performer from the future," the Las Vegas native told WW . "That sounds totally terrible, but it's true." Just a tip: Reyes also often performs in the middle of the crowd with his eyes closed. KINOKO mixing an affinity for electro beats and 8 bit audio sounds; our local hero brings a playfull sound to the techno massive. Her sound is a heady stew of beat heavy tones and gear heavy sampling with an ear for manic breaks and intricate sound programming --------------------------------- New Yahoo! Messenger with Voice. Call regular phones from your PC and save big.