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From:
Matt Berry
To:
Cc:
Date:
Mon, 1 Oct 2018 09:34:09 +0100
Subject:
Re: new actress.... or is it
Msg-Id:
<CACgTjsnaT0ykvCZaGX0fUT65VvfO6hdQvkxWQdFPaX58FFg2ng@mail.gmail.com>
In-Reply-To:
<CAFhVXM_fNg9Kn5unn023KAPTxd7D6AX_EXob_Hip7cVWUvAPxw@mail.gmail.com>
Mbox:
idm-2018-10.gz
Pre-ordered this a couple of weeks back and looking forward to it arriving. I watched Actress play a (very non-IDM) festival a couple of years ago; in a pretty small tent, at some silly hour, and he was phenomenal. I've repeatedly gone back to AZD since it was released, but couldn't really get into LAGEOS, so interested to see what this is like. On Sun, 30 Sep 2018 at 21:26, Clint Anderson <clinta@gmail.com> wrote:
quoted 31 lines > https://boomkat.com/products/young-paint > > this sounds interesting? > > *Young Paint is Actress’ AI learning programme which has been > progressively emulating his transition from greyscale to silvertone since > the release of ‘Hazyville’ ten years ago.* > > For its self-titled debut, Young Paint renders six tracks of baked > electronics and techno hydrolicks that sound like the bossman > Actress, which means the possibly apocryphal machine is doing its job as > instructed. > > ‘*Travel Paint’* and ‘*Neutral Paint*’ start up sounding like jazzed-up, > worn-down Chain Reaction mutations, or the whisked takes on 154’s ‘ > *Strike*’ sound, while ‘*Boy Paint’ *takes time for a gauzier bliss-out > (do AI machines bliss out?). > > The seond half is strongest, though. The crooked lurch and coruscating > textures of ‘*Twisty Paint’ *connote cranky AI thoughts of a lo-fi > Autechre, while ‘*Ai Paint’ *divines a deep soul in the machine, and ‘*Kat > Paint’ *supplies our percy with a perfectly weighted balance of Detroit > ghetto-tech and classical keys that couldn’t have come from anywhere but > the Actress studio... > > > Clint Anderson > Systems Engineer > "Freedom -- paint me a picture!" -- Burton Cummings > >