179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
GD
To:
Date:
Tue, 05 Mar 1996 01:16:27 -0500
Subject:
(idm) Bootlegs + mixtapes + promos
Msg-Id:
<313BDC3B.BB7@interramp.com>
Mbox:
idm.9603.gz
Adam J Weitzman wrote:
quoted 6 lines In terms of taking something which is not yours, what are you referring> In terms of taking something which is not yours, what are you referring > to?[...] > Are you referring to the ownership of the "art?" Which is to say, the > artist feels that his/her "art" consists of 500 slabs of vinyl with music > s/he made engraved into it, to be sold by a licensee of his/her choice at > standard commercial prices, rather than just the music itself?
The royalties issue is separate from the ownership issue - if you copyright your recordings or compositions, they belong to you; as it says on almost all recordings, 'unauthorized duplication/copying of recording is prohibited'. As for royalties, you have to register a recording with ASCAP, BMI, or other organizations, and then they will keep track of the airplay and such and pass on the royalty fees to you (minus a hefty 50% for their services). If anyone's interested, the most recent issue of Electronic Musician has a bit on this in relation to putting out a release on your own. On the subject of mixtapes - since the artists tolerate this use of their recordings, and since they're good promotion, I don't think they fall into the same category as bootlegged releases. I get mixtapes so that I have an idea of what different artists' work sounds like, so that if I hear something that interests me, I'll be much more likely to pick it up at the record shop. As for this whole radio station promo bit, I agree with those who are looking at it from the label's point of view. I don't see how anyone can expect small labels to put out copies to every college radio station that feels they have a right to the stuff. With the resources that small labels have and the small number of releases they sell, it's just too much to expect CDs to be shipped off to radio stations everywhere. Now when RealAudio starts to sound like a CD, maybe artists could do edited (3 min. or so) versions of a song specifically for promotional purposes, and then everyone and their brother would have access to it. GD